{"title":"Does the direction of shapes and bodies influence the aesthetic perception of stage setups in dance?","authors":"Marisa Kempe","doi":"10.5114/hm.2024.136057","DOIUrl":null,"url":null,"abstract":"Perceiving aesthetics in watching dance is a complex field of research, yet the component of space in general and stage setups, in particular in dance, is rarely studied. This study investigates the space on stage through the stage setups used in dance competitions. The main goal was to explore the aesthetic preferences of symmetry and the front-facing direction of shapes in a dance presentation. The investigation tries to determine how observers with differing dance experiences perceive the aesthetics of V-setups, diagonal lines, and their involved dancers by mirroring and turning shapes and bodies.Categorised into three groups (modern dancers, other dancers, non-dancers), 72 active female participants from dance studios and college sports courses evaluated the perceived aesthetics of eight arranged stage setups through a video ranking. Nine motion-captured avatars performed the hip-hop bounce movement in each setup. The participant’s task was to rank the presented stage setups based on their aesthetic perception. The ranking was illustrated with the means values, and the 5% significance criterion was tested with the Friedman-ANOVA.The stage setups are perceived differently by the observers. The V-setups reached higher aesthetic scores than the diagonal lines. Only the group of modern dancers showed no preference for the V versus the diagonals. There was a significant difference between the direction of the arranged dancers on stage. The setups with all dancers’ bodies front-facing are aesthetically preferred. Furthermore, the regular V-setup with its top to the front and with all dancers’ bodies facing the front achieved the highest score in the aesthetic evaluation.The results provide evidence that the feature of symmetry is a driving factor in perceiving aesthetics in dance. The V-setup can be suggested for use in dance choreographies to improve the aesthetic value of observers. Also, the direction of the dancers facing the front is recommended and should be used in dance stage setups.","PeriodicalId":35354,"journal":{"name":"Human Movement","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2024-03-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Human Movement","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5114/hm.2024.136057","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Health Professions","Score":null,"Total":0}
引用次数: 0
Abstract
Perceiving aesthetics in watching dance is a complex field of research, yet the component of space in general and stage setups, in particular in dance, is rarely studied. This study investigates the space on stage through the stage setups used in dance competitions. The main goal was to explore the aesthetic preferences of symmetry and the front-facing direction of shapes in a dance presentation. The investigation tries to determine how observers with differing dance experiences perceive the aesthetics of V-setups, diagonal lines, and their involved dancers by mirroring and turning shapes and bodies.Categorised into three groups (modern dancers, other dancers, non-dancers), 72 active female participants from dance studios and college sports courses evaluated the perceived aesthetics of eight arranged stage setups through a video ranking. Nine motion-captured avatars performed the hip-hop bounce movement in each setup. The participant’s task was to rank the presented stage setups based on their aesthetic perception. The ranking was illustrated with the means values, and the 5% significance criterion was tested with the Friedman-ANOVA.The stage setups are perceived differently by the observers. The V-setups reached higher aesthetic scores than the diagonal lines. Only the group of modern dancers showed no preference for the V versus the diagonals. There was a significant difference between the direction of the arranged dancers on stage. The setups with all dancers’ bodies front-facing are aesthetically preferred. Furthermore, the regular V-setup with its top to the front and with all dancers’ bodies facing the front achieved the highest score in the aesthetic evaluation.The results provide evidence that the feature of symmetry is a driving factor in perceiving aesthetics in dance. The V-setup can be suggested for use in dance choreographies to improve the aesthetic value of observers. Also, the direction of the dancers facing the front is recommended and should be used in dance stage setups.
观赏舞蹈时的美学感知是一个复杂的研究领域,但对舞蹈中的一般空间和舞台布景的研究却很少。本研究通过舞蹈比赛中使用的舞台布置来研究舞台空间。主要目的是探索舞蹈表演中对称性和形状正面方向的审美偏好。这项调查试图确定具有不同舞蹈经验的观察者是如何通过镜像和转动形状和身体来感知 V 型布景、对角线及其所涉及的舞者的美感的。72 名来自舞蹈工作室和大学体育课程的活跃女性参与者被分为三组(现代舞者、其他舞者、非舞者),她们通过视频排名来评估对八种舞台布景的感知美感。九个动作捕捉头像在每个设置中表演了嘻哈弹跳动作。参与者的任务是根据自己的美感对所呈现的舞台设置进行排名。排序结果用平均值来说明,并用弗里德曼方差分析(Friedman-ANOVA)对 5%的显著性标准进行了检验。观察者对舞台布景的感知不同,V 形布景的美学得分高于对角线布景。只有现代舞组的观察者对 V 形和对角线没有偏好。舞者在舞台上的排列方向有明显差异。所有舞者的身体都朝向前方的布景更具美感。此外,顶部朝前且所有舞者的身体都朝向前方的常规 V 型布景在美学评价中得分最高。建议在舞蹈编排中使用 V 型设置,以提高观察者的审美价值。此外,建议在舞蹈舞台设置中使用舞者面向前方的方向。