Vegetative Imagery and Emotional Expression: Symbolism and Heritage of Plant Imagery in Chinese Classical Poetry

Xingjuan Peng, Huan Cao, Zhaojing Shi, Qiming Cao
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Abstract

The vegetative imagery employed in Chinese classical poetry not only harbors profound cultural significance but also reflects poets' subtle perceptions of nature and life. This study examines how, since the pre-Qin period, Chinese poets have used flora as emotive mediums to intimately link plant life's thriving and withering with human sentiment and destiny. Using "grass" and "willow" as focal imagery, the study reveals how poets articulated concerns for national fate, sentiments of parting with friends, and admiration for the vigor of life. This paper further analyses the importance of the transmission and international dissemination of vegetal imagery, emphasizing how modern youth should perceive and protect this "living heritage" from a multidimensional perspective and proposing how high-quality translations can help the world understand and appreciate China’s exceptional cultural traditions. The study contends that placing vegetal imagery within broader cultural and historical contexts not only deepens our comprehension of our national culture but also serves as an essential conduit to introduce this beautiful cultural heritage to the world. Investigating the unique symbolism of vegetal imagery, emotional expressions in poetry, and its contemporary living heritage, this research offers new perspectives on the international spread of Chinese culture and the enhancement of cultural confidence.
植物意象与情感表达:中国古典诗歌中植物意象的象征意义与传承
中国古典诗歌中运用的植物意象不仅蕴含着深刻的文化意义,而且反映了诗人对自然和生命的微妙感悟。本研究探讨了自先秦以来,中国诗人如何以植物为情感载体,将植物生命的兴衰与人的情感和命运紧密联系在一起。研究以 "草 "和 "柳 "为焦点意象,揭示了诗人如何表达对国家命运的关注、对朋友离别的感伤以及对生命活力的赞叹。本文进一步分析了植物意象的传承和国际传播的重要性,强调现代青年应如何从多维角度认识和保护这一 "活遗产",并提出高质量的翻译如何帮助世界了解和欣赏中国独特的文化传统。研究认为,将植物图像置于更广阔的文化和历史背景中,不仅能加深我们对民族文化的理解,也是向世界介绍这一美丽文化遗产的重要渠道。本研究通过对素描意象的独特象征意义、诗歌中的情感表达及其当代生活遗产的研究,为中国文化的国际传播和增强文化自信提供了新的视角。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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