Images of Fish in the Rock Art of the Ancient Population of Northern Europe

Aleksandr M. Zhul’nikov, Igor Askeyev, Dilyara N. Shaymuratova, Sergey Monakhov
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Abstract

The article presents the results of the analysis of the study of the image of fish in the rock art of ancient hunters and fishermen of Northern Europe (final VI – III BC). During the study, 134 fish figures were studied on 6 rock paintings and in 17 clusters of petroglyphs of Fennoscandia. The small proportion of fish figures in relation to the total number of images on the rocks of the region, with a high proportion of fishing in the primitive economy, established by bone remains at Neo-Eneolithic sites, suggests a mythological basis for the images under consideration. Spatial differences in the appearance of fish figures in Northern Europe make it possible to distinguish two areas (western and eastern), radically different in the style of the ichthyomorph image. The rock art mainly reflects representatives of the largest fish species that lived in the region: catfish, sturgeon, halibut, pike, salmon, whitefish. In the bone remains at the sites located near the clusters of rock carvings, other types of fish are usually dominant: zander, cod. In the compositions of fishing, as in other hunting scenes carved on the petroglyphs of Fennoscandia, only active methods of its extraction are presented, although there is numerous archaeological evidence of the use by the inhabitants of the region for catching fish and other animals of various types of traps.
北欧古人类岩画中的鱼形象
文章介绍了对北欧古代猎人和渔民(公元前六至公元前三世纪)岩画中鱼的形象的研究分析结果。在研究过程中,对芬诺斯坎迪亚的 6 幅岩画和 17 组岩画中的 134 个鱼形象进行了研究。与该地区岩画总数相比,鱼的形象所占比例较小,而根据新新石器时代遗址的骨骼遗存,渔业在原始经济中所占比例较高,这表明所研究的形象是以神话为基础的。北欧鱼类形象在空间上的差异使我们有可能将鱼类形象的风格截然不同的两个地区(西部和东部)区分开来。岩画主要反映了生活在该地区的最大鱼类的代表:鲶鱼、鲟鱼、比目鱼、梭子鱼、鲑鱼、白鲑。在岩刻群附近遗址的骨骸中,其他种类的鱼类通常占主导地位:鲈鱼、鳕鱼。与芬诺斯克迪亚岩画上的其他狩猎场景一样,尽管有大量考古证据表明该地区的居民曾使用过各种类型的陷阱来捕捉鱼类和其他动物,但在捕鱼的作品中,只呈现了积极的捕鱼方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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