{"title":"Laryngeal contrast and sound change: The production and perception of plosive voicing and co-intrinsic pitch: Supplementary material","authors":"Jiayin Gao, James Kirby","doi":"10.1353/lan.2024.a922787","DOIUrl":null,"url":null,"abstract":"Abstract: Inspired by Beddor 2009, this article explores whether and how trading relations between coarticulatory source and effect may serve as a precursor for sound change. It aims at extending the case of vowel nasalization examined by Beddor to the relationship between closure voicing (source) and co-intrinsic pitch (effect). Through four production and perception studies, we show that the inverse source-effect relation observed for vowel nasalization is not found in the voicing contrast of French, a true-voicing language. Instead, we propose that the phonologization of co-intrinsic pitch (a.k.a. tonogenesis) originates from spontaneous devoicing (a production bias), which subsequently triggers an upweighting of pitch (a perceptual adaptation strategy).*","PeriodicalId":503033,"journal":{"name":"Language","volume":"162 ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Language","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/lan.2024.a922787","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract: Inspired by Beddor 2009, this article explores whether and how trading relations between coarticulatory source and effect may serve as a precursor for sound change. It aims at extending the case of vowel nasalization examined by Beddor to the relationship between closure voicing (source) and co-intrinsic pitch (effect). Through four production and perception studies, we show that the inverse source-effect relation observed for vowel nasalization is not found in the voicing contrast of French, a true-voicing language. Instead, we propose that the phonologization of co-intrinsic pitch (a.k.a. tonogenesis) originates from spontaneous devoicing (a production bias), which subsequently triggers an upweighting of pitch (a perceptual adaptation strategy).*