Z historii gatunku antyutopii literackiej. O (nie)oczywistych powinowactwach „My” Jewgienija Zamiatina i „Metropolis” Thei von Harbou

Patryk Witczak
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Abstract

The main aim of the article was to demonstrate the similarities between Yevgeny Zamyatin’s novel We and Thea von Harbou’s Metropolis. The analysis reveals that these similarities are primarily evident in the depiction of space, plot, and character development. Regarding plot structure, female characters assume leading roles in both narratives. The antinomic pairs of women created by Zamyatin and Harbou surprisingly bring the two analyzed novels closer together. O-90 and Maria represent the archetype of the ideal mother ready for great sacrifices, embodying the power of creation. Conversely, I-330 and the false Maria are femme fatales, embodying the power of destruction. They become catalysts for social tensions. In their portrayal of these heroines, Zamyatin and Harbou draw upon Christian and mythological symbolism, creating distinctive images of the Virgin Mary and Lilith. Crucially, within these strongly masculinized worlds, women are the ones who actively initiate changes in their respective realities.
从反乌托邦文学流派的历史。论叶甫盖尼-扎米亚京的《我们》与西阿-冯-哈布的《大都会》之间(并不)明显的亲缘关系
文章的主要目的是论证叶甫盖尼-扎米亚京的小说《我们》与提亚-冯-哈布的《大都会》之间的相似之处。分析表明,这些相似之处主要体现在空间描写、情节和人物发展方面。在情节结构方面,女性角色在两部叙事中都占据了主导地位。扎米亚京和哈布塑造的一对对女性反面角色出人意料地拉近了两部分析小说的距离。奥-90》和《玛丽亚》代表了愿意做出巨大牺牲的理想母亲的原型,体现了创造的力量。相反,I-330 和假玛丽亚则是女权主义者,体现了破坏的力量。她们成为社会矛盾的催化剂。在描写这些女英雄时,扎米亚京和哈布借鉴了基督教和神话的象征意义,塑造了圣母玛利亚和莉莉丝的独特形象。最重要的是,在这些强烈男性化的世界中,女性是积极改变各自现实的人。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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