Cross-culture analysis of batik sub-culture Pekalongan: A case study on the complexity dimensions of representation, diversity and conflict

Oktafiani C. Pratiwi, S.R.A. Marwah, W. Ramadhanti
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Abstract

Pekalongan batik sub-culture development is influenced by three cultures namely Javanese, Chinese and Arabic. Most studies of batik use a cultural and socioeconomic analysis by focusing mainly its cultural aspects. This research aims to analysis transformation of social and economic assets, by using a different perspective namely cross-cultural theory and democratization framework in order to explain the political economic contestation among the entrepreneurs. This research uses Robert Dahl’s conceptual framework regarding the development of democracy and only uses three of the seven relevant aspects, namely: (a) representation, (b) diversity, and (c) conflict. Case studies as a qualitative methodology are used with in-depth interview techniques, observation and literature reviews as data collection tools. The results of this study are, Pekalongan batik sub-culture has formed a kind of long acculturation formation in the cultural perspective, but secondly it also contributes to develop a kind of political contestation, conflicts and gender-bias political practices This study concludes that regional autonomy and decentralization policies have created space for political contestation and opened up opportunities to transform the social/economic capital of batik entrepreneurs as assets for political contestation and have even raised the issue of identity politics.
对北加龙岸蜡染亚文化的跨文化分析:关于代表性、多样性和冲突的复杂性的案例研究
北加龙岸蜡染亚文化的发展受到爪哇、中国和阿拉伯三种文化的影响。大多数蜡染研究都采用文化和社会经济分析方法,主要关注其文化方面。本研究旨在从跨文化理论和民主化框架的不同视角分析社会和经济资产的转型,以解释企业家之间的政治经济竞争。本研究使用了罗伯特-达尔关于民主发展的概念框架,并只使用了七个相关方面中的三个,即:(a) 代表性、(b) 多样性和 (c) 冲突。案例研究作为一种定性方法,采用了深入访谈技术、观察和文献综述作为数据收集工具。本研究的结论是,区域自治和权力下放政策为政治竞争创造了空间,为蜡染企业家的社会/经济资本转化为政治竞争的资产提供了机会,甚至提出了身份政治问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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