The faces of death and the gaunt side of life according to Benett

Raí Garcia Mihi Barbalho Viana, Maria Isabel Borges
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Abstract

This research sought to highlight and study the representations of death in the productions of Brazilian cartoonist Alberto Benett. The criteria selection for the corpus was as followed: productions published on the Facebook page “Benett Apavora”; comic strips and political cartoons; c) productions that highlighted the theme of death through recognizable visual symbols (skull, reaper, skeleton). The survey resulted in 52 texts about death – 42 political cartoons, 10 comic strips. In this work, two samples were chosen for analysis, two comic strips and three political cartoons. The theoretical support consisted of studies on death symbols (Chevalier, Gheerbrant, 2015; Calabritto, Daly, 2014; Ariès, 2012; Guthke, 1999; Lousa, 2016), language and genres of comics (Cagnin, 2014; Eisner, 2010; Borges, 2022; Carmelino, Possenti, 2023; Miani, 2023; Romualdo, 2000; Ramos, 2012, 2011, 2017). The analysis proved a preference for the skull and the reaper, for their suggestive evocation of death, but the effect generated can change from text to text.
贝内特笔下的死亡面孔和生命憔悴的一面
本研究旨在突出和研究巴西漫画家阿尔贝托-贝内特作品中对死亡的表现。语料库的选择标准如下:在 Facebook 页面 "Benett Apavora "上发布的作品;连环画和政治漫画;c) 通过可识别的视觉符号(骷髅、死神、骷髅)突出死亡主题的作品。调查共收集到 52 篇关于死亡的文章--42 篇政治漫画、10 篇连环画。在这项工作中,选择了两个样本进行分析,即两幅连环画和三幅政治漫画。理论支持包括对死亡符号(Chevalier, Gheerbrant, 2015; Calabritto, Daly, 2014; Ariès, 2012; Guthke, 1999; Lousa, 2016)、漫画语言和流派(Cagnin, 2014; Eisner, 2010; Borges, 2022; Carmelino, Possenti, 2023; Miani, 2023; Romualdo, 2000; Ramos, 2012, 2011, 2017)的研究。分析表明,人们偏爱骷髅和死神,因为它们能让人联想到死亡,但产生的效果会因文本而异。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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