{"title":"Victims or villains? How editorial cartoons depict the 2023 Israel – Palestine war","authors":"Gregory Gondwe, Carolyn Walcott","doi":"10.1515/omgc-2023-0061","DOIUrl":null,"url":null,"abstract":"\n \n \n The study analyzed online editorial cartoons depicting the Israel-Palestine conflict through visual, symbolic, metaphorical, and textual analysis. The study reveals a prevailing anti-war sentiment across editorial cartoons, with a notable inclination towards supporting Palestine. This support was prominent in cartoons originating from the Global South, particularly Sub-Saharan Africa. However, there was a scarcity of such cartoons within mainstream Western media.\n \n \n \n The study employs an in-depth approach, analyzing cartoons from both Western and non-Western media. It utilizes Multimodal Discourse Analysis (MDA) and Multimodal Semiotics (MS) theories, focusing on symbolism and text to decode nuanced narratives within the cartoons.\n \n \n \n The cartoons depict complex narratives, using symbolism to explain how politicians and the main media are framing specific entities while undermining victimology. They reveal subjective perspectives that influence audience perceptions. They echo existing scholarly views on the influential power of editorial cartoons in communicating complex political concepts.\n \n \n \n The cartoons shape public understanding of the conflict, potentially influencing biases and perspectives. They present Hamas as both an aggressor and a victim, portraying multifaceted perceptions of the group.\n \n \n \n The findings are instrumental in depicting political identities, including major organizations like the UN. The boldness in depicting such entities provides a practical avenue for understanding the role of such organizations.\n \n \n \n The study adds to the existing literature by applying multimodal analysis to editorial cartoons, unveiling hidden narratives and perceptions. It suggests the need for a deeper analysis of the conflict’s historical, geopolitical, and power structures. This research offers a multifaceted understanding of how editorial cartoons shape perceptions and interpretations of the Israel-Palestine conflict, emphasizing their complex and influential nature within media discourse.\n","PeriodicalId":29805,"journal":{"name":"Online Media and Global Communication","volume":"12 3","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-03-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Online Media and Global Communication","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/omgc-2023-0061","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
The study analyzed online editorial cartoons depicting the Israel-Palestine conflict through visual, symbolic, metaphorical, and textual analysis. The study reveals a prevailing anti-war sentiment across editorial cartoons, with a notable inclination towards supporting Palestine. This support was prominent in cartoons originating from the Global South, particularly Sub-Saharan Africa. However, there was a scarcity of such cartoons within mainstream Western media.
The study employs an in-depth approach, analyzing cartoons from both Western and non-Western media. It utilizes Multimodal Discourse Analysis (MDA) and Multimodal Semiotics (MS) theories, focusing on symbolism and text to decode nuanced narratives within the cartoons.
The cartoons depict complex narratives, using symbolism to explain how politicians and the main media are framing specific entities while undermining victimology. They reveal subjective perspectives that influence audience perceptions. They echo existing scholarly views on the influential power of editorial cartoons in communicating complex political concepts.
The cartoons shape public understanding of the conflict, potentially influencing biases and perspectives. They present Hamas as both an aggressor and a victim, portraying multifaceted perceptions of the group.
The findings are instrumental in depicting political identities, including major organizations like the UN. The boldness in depicting such entities provides a practical avenue for understanding the role of such organizations.
The study adds to the existing literature by applying multimodal analysis to editorial cartoons, unveiling hidden narratives and perceptions. It suggests the need for a deeper analysis of the conflict’s historical, geopolitical, and power structures. This research offers a multifaceted understanding of how editorial cartoons shape perceptions and interpretations of the Israel-Palestine conflict, emphasizing their complex and influential nature within media discourse.
期刊介绍:
Online Media and Global Communication (OMGC) is a new venue for high quality articles on theories and methods about the role of online media in global communication. This journal is sponsored by the Center for Global Public Opinion Research of China and School of Journalism and Communication, Shanghai International Studies University, China. It is published solely online in English. The journal aims to serve as an academic bridge in the research of online media and global communication between the dominating English-speaking world and the non-English speaking world that has remained mostly invisible due to language barriers. Through its structured abstracts for all research articles and uniform keyword system in the United Nations’ official six languages plus Japanese and German (Arabic, Chinese, English, French, Russian, Spanish, Japanese, and German), the journal provides a highly accessible platform to users worldwide. Its unique dual track single-blind and double-blind review system facilitates manuscript reviews with different levels of author identities. OMGC publishes review essays on the state-of-the-art in online media and global communication research in different countries and regions, original research papers on topics related online media and global communication and translated articles from non-English speaking Global South. It strives to be a leading platform for scientific exchange in online media and global communication.
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Topics
OMGC publishes high quality, innovative and original research on global communication especially in the use of global online media platforms such as Facebook, TikTok, YouTube, Twitter, Instagram, WhatsApp, Weibo, WeChat, Wikipedia, web sites, blogs, etc. This journal will address the contemporary concerns about the effects and operations of global digital media platforms on international relations, international public opinion, fake news and propaganda dissemination, diaspora communication, consumer behavior as well as the balance of voices in the world. Comparative research across countries are particularly welcome. Empirical research is preferred over conceptual papers.
Article Formats
In addition to the standard research article format, the Journal includes the following formats:
● One translation paper selected from Non-English Journals that with high quality as “Gems from the Global South” per issue
● One review essay on current state of research in online media and global communication in a country or region