Reflection of the Development of Female Subject Consciousness: Based on the Tendency of Gender Role Division in Danmei Literature

Qi Liu
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Abstract

"Danmei" culture is an important part of contemporary youth subculture, among which "original Danmei literature" is a form of online literature that can reflect the level of female subject consciousness. This article starts from the development history of Danmei literature, takes the tendency of the artificial division of gender roles in Danmei works as the theme, and analyzes the classic seme-uke model that appears in Danmei literary works and the further division of gender roles in the ABO worldview. Under the trend of gender role division in Danmei literature, the two protagonists, who are both biological males, are artificially divided into different gender expressions, and even under the ABO worldview, they are divided into sex physiological structural differences, which brings about a gender gap. Danmei literature has returned to the traditional gender power logic, and female subject consciousness has been eliminated to a certain extent, showing the negative side of the development of Danmei literature.
女性主体意识发展的反思:基于丹青文学中的性别角色划分倾向
"丹青 "文化是当代青年亚文化的重要组成部分,其中 "原创丹青文学 "是一种能够反映女性主体意识水平的网络文学形式。本文从丹眉文学的发展历程入手,以丹眉作品中人为的性别角色分化倾向为主题,分析了丹眉文学作品中出现的经典的 "seme-uke "模式,以及ABO世界观中性别角色的进一步分化。在丹青文学性别角色分化的趋势下,同为生理男性的两位主人公被人为地分化为不同的性别表现形式,甚至在ABO世界观下被分化为性别生理结构上的差异,从而带来性别差异。丹青文学回归了传统的性别权力逻辑,女性主体意识在一定程度上被消解,表现出丹青文学发展的消极一面。
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