Development of Buddhist Cultural Creation based on Cultural Semiotics Theory

Yitong Zhou
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Abstract

Cultural semiotics, as a unique theoretical framework, provides a profound way of thinking for the dissemination and interpretation of culture. This article takes the Dabao'en Temple in Nanjing as an example and explores its application in cultural and creative development from the perspective of Buddhist cultural semiotics theory. As a representative heritage of Chinese Buddhist culture, Nanjing Dabao'en Temple contains rich cultural symbols such as religion, history, and art, which is of great significance for cultural and creative development. Firstly, the research value of cultural semiotics in the development of Buddhist cultural creation was explored. Secondly, it explores how the elements in Da Bao En Temple, as cultural symbols, can be reconstructed in modern society to meet the aesthetic and needs of contemporary people. Through the artistic transformation of cultural symbols and other means, Da Bao En Temple has been able to radiate new vitality in cultural and creative products. In addition, this article also analyzes the strategies used in the design process of Da Bao En Temple's cultural and creative products. Through in-depth research, it can not only help Dabao'en Temple's cultural and creative products better achieve cultural dissemination, but also provide useful reference for the development of other similar cultural heritage. In summary, this article explores how cultural symbols can radiate new vitality in contemporary times by studying the application of cultural and creative development based on the theory of Buddhist cultural semiotics in the Dabaoen Temple in Nanjing. This not only helps to promote cultural inheritance, but also provides useful references for the sustainable development of the cultural and creative industry.
基于文化符号学理论的佛教文化创作发展
文化符号学作为一种独特的理论框架,为文化的传播和阐释提供了一种深刻的思维方式。本文以南京大报恩寺为例,从佛教文化符号学理论的角度探讨其在文化创意发展中的应用。南京大报恩寺作为中国佛教文化的代表性遗产,蕴含着宗教、历史、艺术等丰富的文化符号,对文化创意发展具有重要意义。首先,探讨了文化符号学在佛教文化创作发展中的研究价值。其次,探讨了大报恩寺中的元素作为文化符号,如何在现代社会中进行重构,以满足当代人的审美和需求。通过对文化符号的艺术改造等手段,大报恩寺得以在文化创意产品中焕发出新的活力。此外,本文还分析了大报恩寺文创产品设计过程中的策略。通过深入研究,不仅可以帮助大报恩寺的文创产品更好地实现文化传播,也可以为其他类似文化遗产的开发提供有益的借鉴。综上所述,本文通过研究基于佛教文化符号学理论的文创开发在南京大报恩寺的应用,探讨文化符号如何在当代焕发出新的生命力。这不仅有助于促进文化传承,也为文化创意产业的可持续发展提供了有益借鉴。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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