VISUALIZATION OF THE SPECIFICITY OF THE PHILOSOPHICAL WORLDVIEW: DETECTION OF SEMIOTIC OPTIMUM IN THE SELECTION OF ILLUSTRATIVE MATERIAL FOR AN OPEN LECTURE

Мария Сергеевна Горбулева, Ирина Вигеновна Мелик-Гайказян
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引用次数: 0

Abstract

Впервые поставлена исследовательская задача обнаружения семиотического оптимума. Изложены оригинальные методы решения этой задачи, основанные на теоретических положениях, в которых установлены связи между динамикой форм знака и стадиями информационного процесса. Акцентирована разница в подходах – педагогическом и семиотическом – к достижению эффективности лекционных занятий. Предложенный вариант постановки задачи и способа ее решения пока остается в рамках эмпирического исследования, реализующего только одно теоретическое положение – это положение о роли стадии построения оператора в структуре информационного процесса. На данной стадии происходит отбор полученной информации для ее последующего применения. В современных педагогических исследованиях саму лекцию понимают в качестве оператора и видят способы его трансформации в реализации новых технических («цифровых») средств. Авторы же «помещают» лекцию на этапы процесса трансляции информации, предшествующие стадии построения оператора. Таким образом, оператором становится самостоятельная работа студента, происходящая вне стен лекционной аудитории. Семиотическим оптимумом, достигнутым в лекции, является та эффективность, с которой студентом будет произведена критика его опыта в интерпретации стереотипов. Любая степень самостоятельности рефлексии, проявленная студентом, не может повлечь генерацию информации (эта стадия происходит в другом «месте», требует создания других условий и применения совсем иных средств), а влечет ее акцептирование, что полностью соответствует учебным целям. An explanation of two circumstances precedes the presentation of the main content of this article. The first relates to the fact that, with this article, the journal opens a new “Open Lecture” section. The second reveals both the meaning of the words in the section title and the primary purpose of the research, the first results of which are presented in this article. The phrase “open lecture” is the name of one of the procedures (established in the practice of domestic higher education), which is part of the preliminary selection of educators participating in the competition for a lecturer role. This procedure’s name defines the lecture as open to professional criticism: discussion of the content and its structure, the manner of communication between the lecturer and the audience and the likelihood of students achieving educational goals. The originality of the presented research lies in the fact that, firstly, all these components of the discussion are understood from the standpoint of semiotics, respectively, as semantic, syntactic and pragmatic translations. Secondly, these translations are understood as the interconnection of specific stages of the information process. It opens up the possibility of modelling the structure of the lecture content based on the characteristics of information (value, quantity, effectiveness). Thirdly, the stages of the information process are understood as mechanisms of self-organization, which makes it possible to interpret learning results from the standpoint of stimulating a transition (or lack thereof) of the students from simple reception to acceptance. Fourthly, the very formulation of the research problem is the problem of discovering the semiotic optimum in organizing the learning space. One can emphasize that, in this formulation, the problem within the pedagogical theory and practice framework is posed for the first time since the semiotic essence of education remains unnoticed in pedagogical science. The circumstance for implementing the semiotic optimum, assuming that this optimum is discovered, is the educator’s clear understanding of the student’s goals (spectrum and hierarchy of goals) in the classroom rather than the goals of the educator’s activity. Therefore, the subject of the study was chosen to be the first lecture on a subject that is extremely rarely taught at school in domestic education. Thereby, it is a lecture for which the audience may have minimal prejudice. More precisely, there can only be a premonition of the complexity of the subject, the isolation of its content from real life, which reduces the initial goals of students only to mastering ways to overcome this ‘disaster’ in their curriculum. It states the following need for the educator: (a) to have empathy; (b) maintain a balance between complexity of content and simplicity of explanation. Both necessities boil down to finding a measure, an optimal measure. The article justifies that illustrative material for a lecture should (1) serve not as proof but only as an explanation of the lecture statements. The choice of material should (2) be made from various visualizations that are events in intellectual history and also visually express the multi-layered context of known metaphors. In the case of our research, these are illustrations of works by artists from the Bruegel family; this intends (in addition to the mentioned) to demonstrate the metamorphoses of ideas within one philosophical school or tradition. Illustrations must (3) meet the requirement of end-to-end examples throughout the entire course of lectures. The material we have chosen illustrates the following. The contemplation of the world by a genius leads to the extraction of an essential detail unnoticed by others; expressing this detail in abstract form initiates a dialogue; expressing this detail in a relevant form creates grounds for interpretation among many people, which ultimately shapes the worldview of those people. The fact that there is a known case of erasing details from a painting and that the demonstrated artworks received different titles over time illustrates the change in topical emphases. The number of illustrations should (4) meet the condition: no more than one visual demonstration in a fifteen-minute lecture time interval. The article presents results obtained as of now only empirically. Experience shows that compliance with the above conditions ensures the stability of impressions among students and contributes to their understanding (and not just memorization) of the main messages of the lecture.
哲学世界观特殊性的可视化:在为公开讲座选择说明材料时发现符号学的最佳效果
在我们的研究中,这些是勃鲁盖尔家族艺术家的作品插图;这样做的目的(除了上述提到的)是为了展示一个哲学流派或传统中思想的蜕变。插图必须(3) 符合整个授课过程中端对端举例的要求。我们选择的材料说明了以下问题。天才对世界的思考,导致提取出一个别人没有注意到的基本细节;以抽象的形式表达这个细节,引发了对话;以相关的形式表达这个细节,为许多人的解释创造了基础,最终形成了这些人的世界观。有一个从一幅画中抹去细节的已知案例,而且所展示的艺术作品随着时间的推移获得了 不同的标题,这说明了主题重点的变化。插图的数量(4 幅)应满足一个条件:在 15 分钟的讲课时间间隔内,不超过一次视觉演示。本文介绍的是目前仅凭经验得出的结果。经验表明,符合上述条件可确保学生印象的稳定性,并有助于他们理解(而不仅仅是记忆)讲座的主要信息。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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