Rejecting resistance: Everyday resistance and harmony in Chinese hip-hop

Yehan Wang
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Abstract

In power systems where opportunities for overt expression are limited, the requirements for recognition and intentionality behind acts of resistance risk overlooking the struggles of individuals who must find unpatterned and creative ways to express desires and discontent. Based on 42 interviews with Chinese hip-hop fans and artists and drawing on Scott’s and De Certeau’s theories of everyday resistance, this article shows that resistant acts in China can take transient, unintentional, seemingly apolitical forms disguised by a superficial rejection of resistance. This strategy protects resisters from potential consequences of openly challenging power, enabling the quiet expression of individual visions and dissatisfaction with power and contemporary society through hip-hop. Moving beyond dichotomous conceptions of power and resistance, this article advocates for de-emphasising the requirement of expressed, or expressible, intentionality behind acts of resistance and recognises the significance of ordinary actions of everyday resistance in their potential to catalyse change, shape social spaces and transform cultural patterns.
拒绝抵抗:中国嘻哈中的日常抵抗与和谐
在公开表达机会有限的权力体系中,对反抗行为背后的认可和蓄意性的要求有可能忽视个人的抗争,他们必须找到非模式化和创造性的方式来表达欲望和不满。本文基于对中国嘻哈音乐爱好者和艺术家的 42 次访谈,并借鉴斯科特和德塞多的日常抵抗理论,说明在中国,抵抗行为可以采取短暂、无意、看似非政治的形式,并以表面上拒绝抵抗的方式加以掩饰。这种策略保护了反抗者免受公开挑战权力的潜在后果,使他们能够通过嘻哈音乐悄悄地表达个人愿景以及对权力和当代社会的不满。本文超越了权力与反抗的二元对立概念,主张不再强调反抗行为背后的表达或可表达意图的要求,并认识到日常反抗的普通行动在促进变革、塑造社会空间和改变文化模式方面的潜在意义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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