An urban image in an urbanized landscape: measuring the visual impact of Tibur's amphitheater

IF 0.7 2区 历史学 0 ARCHAEOLOGY
Matthew Notarian
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引用次数: 0

Abstract

Though infrequently used and largely superfluous, amphitheaters were often the most physically imposing and ideologically charged structures in a Roman city. The preponderance of extramural amphitheaters in Italy and their appearance in visual culture confirm they were potent markers of urban life and civic status. This paper contextualizes Tibur's imperial amphitheater within the Roman suburbium's persistent urban sprawl and villas, especially Hadrian's Villa, using a novel GIS visibility analysis. Its apparent size from various points in the surrounding landscape is quantified within empirical and qualitative scales developed for modern visual impact assessments. The results demonstrate the amphitheater's suburban location did more than integrate Tibur's extramural growth into the older urban center. It emphasized the city's urban appearance, even from long distances, and monumentalized alternate routes to the city used by the villa-owning elite, countering the ambiguous status of a liminal city that was both Rome's annex and an autonomous municipium.
城市化景观中的城市形象:衡量提布尔露天剧场的视觉影响
尽管圆形剧场很少被使用,而且在很大程度上是多余的,但它们往往是罗马城市中最宏伟和最具意识形态色彩的建筑。意大利城外圆形剧场的数量之多以及它们在视觉文化中的出现证实了它们是城市生活和公民地位的有力标志。本文采用新颖的 GIS 可见性分析方法,将提布尔的帝国圆形剧场与罗马郊区持续的城市扩张和别墅(尤其是哈德良别墅)联系起来。根据为现代视觉影响评估开发的经验和定性尺度,从周围景观的不同点对圆形剧场的明显大小进行了量化。结果表明,圆形剧场的郊区位置不仅将提布尔的郊区发展融入了古老的城市中心。它强调了城市的外观,即使从很远的地方看也是如此,并将别墅业主精英们通往城市的其他路线纪念化,从而消除了既是罗马附属城市又是自治市的边缘城市的模糊地位。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.60
自引率
28.60%
发文量
43
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