{"title":"Collecting and Collectors in A Sea of Tales Past and Present","authors":"Jing Zhang","doi":"10.1163/22106286-12341383","DOIUrl":null,"url":null,"abstract":"<p>Printed in 1544, <em>Gujin shuohai</em> <styled-content lang=\"zh-Hans\" xmlns:dc=\"http://purl.org/dc/elements/1.1/\" xmlns:ifp=\"http://www.ifactory.com/press\">古今說海</styled-content> (<em>A Sea of Tales from Past and Present</em>; hereafter <em><span style=\"font-variant: small-caps;\">GJSH</span></em>), was a distinct example of the genre of <em>congshu</em> <styled-content lang=\"zh-Hans\" xmlns:dc=\"http://purl.org/dc/elements/1.1/\" xmlns:ifp=\"http://www.ifactory.com/press\">叢書</styled-content> (collectanea). Thirteen collators are listed, nine of whom are also noted for their contribution of texts from their own collections. They were all connected in kinship or officialdom to Lu Shen <styled-content lang=\"zh-Hans\" xmlns:dc=\"http://purl.org/dc/elements/1.1/\" xmlns:ifp=\"http://www.ifactory.com/press\">陸深</styled-content> (<em>zi</em> Ziyuan <styled-content lang=\"zh-Hans\" xmlns:dc=\"http://purl.org/dc/elements/1.1/\" xmlns:ifp=\"http://www.ifactory.com/press\">子淵</styled-content>; 1477–1544), a renowned official, calligrapher, poet, and bibliophile of Songjiang <styled-content lang=\"zh-Hans\" xmlns:dc=\"http://purl.org/dc/elements/1.1/\" xmlns:ifp=\"http://www.ifactory.com/press\">松江</styled-content> (today’s Shanghai) whose family owned the Yanshan Academy <styled-content lang=\"zh-Hans\" xmlns:dc=\"http://purl.org/dc/elements/1.1/\" xmlns:ifp=\"http://www.ifactory.com/press\">儼山書院</styled-content> that published <em><span style=\"font-variant: small-caps;\">GJSH</span></em>. This <em>congshu</em> therefore presents an exemplary case to study how book-collecting and private publishing in early sixteenth-century Songjiang enabled its local literati community to perform their cultural authority – alternative to officialdom – in collecting and curating the narrative space of heteroglossia drawn from a miscellany of sources, social registers, and paratexts.</p>","PeriodicalId":40266,"journal":{"name":"East Asian Publishing and Society","volume":"39 1","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2024-03-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"East Asian Publishing and Society","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/22106286-12341383","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ASIAN STUDIES","Score":null,"Total":0}
引用次数: 0
Abstract
Printed in 1544, Gujin shuohai古今說海 (A Sea of Tales from Past and Present; hereafter GJSH), was a distinct example of the genre of congshu叢書 (collectanea). Thirteen collators are listed, nine of whom are also noted for their contribution of texts from their own collections. They were all connected in kinship or officialdom to Lu Shen 陸深 (zi Ziyuan 子淵; 1477–1544), a renowned official, calligrapher, poet, and bibliophile of Songjiang 松江 (today’s Shanghai) whose family owned the Yanshan Academy 儼山書院 that published GJSH. This congshu therefore presents an exemplary case to study how book-collecting and private publishing in early sixteenth-century Songjiang enabled its local literati community to perform their cultural authority – alternative to officialdom – in collecting and curating the narrative space of heteroglossia drawn from a miscellany of sources, social registers, and paratexts.
期刊介绍:
East Asian Publishing and Society is a journal dedicated to the study of the publishing of texts and images in East Asia, from the earliest times up to the present. The journal provides a platform for multi-disciplinary research by scholars addressing publishing practices in China, Korea, Japan, Taiwan and Vietnam. East Asian Publishing and Society invites articles that treat any aspect of publishing history: production, distribution, and reception of manuscripts, imprints (books, periodicals, pamphlets, and single sheet prints), and electronic text. Studies of authorship and editing, the business of publishing, reading audiences and reading practices, libraries and book collection, the relationship between the state and publishing—to name just a few possible topics—are welcome.