Coffeehouse Curiosities: Materiality and Musealization Strategies in The Athenian Mercury

IF 0.2 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Jaroslaw Jasenowski
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引用次数: 0

Abstract

Based on the epistolary interaction with readers, John Dunton's Athenian Mercury (1691–97) provided a platform for the discussion and dissemination of knowledge drawn from diverse fields. Plagued by doubts about its reliability, the periodical constantly had to (re-)assert its credibility. One of the strategies the Mercury employed was to emphasize the physicality of objects via text, practising a performance of materiality. Taking the letter-as-object as its starting point, this article argues that materiality played a crucial role in not only the representation but also the active production of truthfulness. Examining how Dunton's periodical leveraged notions of the coffeehouse as an exhibition space, this article explores how the Mercury drew on musealization strategies to represent material objects to underline their existence and its own credibility. Interpellating readers as virtuosi, the Athenian Society staged the coffeehouse and even itself as a walk-in curiosity cabinet, turning letters into matter and fiction into fact.

咖啡馆奇珍:雅典水星》中的物质性和博物馆化策略
约翰-邓顿的《雅典水星》(1691-97 年)以与读者的书信互动为基础,为讨论和传播来自不同领域的知识提供了一个平台。由于可靠性受到质疑,该期刊不得不不断(重新)维护其可信度。水星报》采用的策略之一就是通过文字来强调物品的物理性,实践物质性的表现。本文以信件作为对象为出发点,论证了物质性不仅在真实性的表现中,而且在真实性的积极生产中发挥了至关重要的作用。通过考察邓顿的期刊如何利用咖啡馆作为展览空间的概念,本文探讨了《水星报》如何利用博物馆化策略来表现物质对象,以强调它们的存在及其自身的可信性。雅典学会将读者视为演奏家,将咖啡馆甚至其自身打造成一个步入式奇珍橱,将信件变成物质,将虚构变成事实。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Journal for Eighteenth-Century Studies
Journal for Eighteenth-Century Studies HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.40
自引率
25.00%
发文量
59
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