Indumathi Somashekar, Nivedhitha D, Melwyn S. Pinto
{"title":"Romance and Hitchcock? Viewing master of suspense as master of romance","authors":"Indumathi Somashekar, Nivedhitha D, Melwyn S. Pinto","doi":"10.1080/17411548.2024.2319850","DOIUrl":null,"url":null,"abstract":"This essay through literature and textual analysis argues that romance or romantic love is a dominant theme in Alfred Hitchcock’s films alongside suspense. Romance in Hitchcock’s films is highlight...","PeriodicalId":42089,"journal":{"name":"Studies in European Cinema","volume":"38 1","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2024-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studies in European Cinema","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17411548.2024.2319850","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 0
Abstract
This essay through literature and textual analysis argues that romance or romantic love is a dominant theme in Alfred Hitchcock’s films alongside suspense. Romance in Hitchcock’s films is highlight...