{"title":"“The Leaves of Our Flag Surrounding the World”: Barbara B. Smith and the Sovereign Voices of a Pacific Trust Territory, 1958–1964","authors":"Brian Diettrich","doi":"10.5406/21567417.68.1.04","DOIUrl":null,"url":null,"abstract":"\n This article explores the songs and dances recorded by Barbara B. Smith in the United Nations Trust Territory of the Pacific Islands, the former US-administered region of Micronesia. The article examines Smith's collaborations with Micronesians in Hawai‘i in the late 1950s and early 1960 as well as her 1963–1964 recording project undertaken across the Trust Territory. In exploring Micronesian voices within the political machinations of the time, the article investigates the entanglement of ethnomusicology within the American colonial administration of the Pacific. With the 1963–1964 recordings as a window into this period, I listen for Indigenous autonomy that sounds out from these historical reproductions. I contend that the broader contribution of 1960s ethnomusicology in Micronesia lies in the sonic chronicle of sovereign voices, in which communities sang together and past American colonial interventions in the Pacific.","PeriodicalId":51751,"journal":{"name":"ETHNOMUSICOLOGY","volume":null,"pages":null},"PeriodicalIF":0.6000,"publicationDate":"2024-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"ETHNOMUSICOLOGY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5406/21567417.68.1.04","RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 0
Abstract
This article explores the songs and dances recorded by Barbara B. Smith in the United Nations Trust Territory of the Pacific Islands, the former US-administered region of Micronesia. The article examines Smith's collaborations with Micronesians in Hawai‘i in the late 1950s and early 1960 as well as her 1963–1964 recording project undertaken across the Trust Territory. In exploring Micronesian voices within the political machinations of the time, the article investigates the entanglement of ethnomusicology within the American colonial administration of the Pacific. With the 1963–1964 recordings as a window into this period, I listen for Indigenous autonomy that sounds out from these historical reproductions. I contend that the broader contribution of 1960s ethnomusicology in Micronesia lies in the sonic chronicle of sovereign voices, in which communities sang together and past American colonial interventions in the Pacific.
期刊介绍:
As the official journal of the Society for Ethnomusicology, Ethnomusicology is the premier publication in the field. Its scholarly articles represent current theoretical perspectives and research in ethnomusicology and related fields, while playing a central role in expanding the discipline in the United States and abroad. Aimed at a diverse audience of musicologists, anthropologists, folklorists, cultural studies scholars, musicians, and others, this inclusive journal also features book, recording, film, video, and multimedia reviews. Peer-reviewed by the Society’s international membership, Ethnomusicology has been published three times a year since the 1950s.