A.I., FASHION DESIGN AND THE LAW

Fashion Highlight Pub Date : 2024-02-15 DOI:10.36253/fh-2498
Barbara Pasa
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Abstract

This essay deals with the exploration of Artificial Intelligence (hereafter AI) in fashion design by considering a three-dimensional space based on the following coordinates: [complexity]; [education and training]; [made in Italy]. They outline a very wide space in which different techne - Law, Artificial Intelligence and Design - address the challenges of contemporary society. They outline a thoughtful journey of reflection, including socio-economic and cultural aspects, to technical innovation. Specifically, when addressing issues of technical innovation, the emphasis is not on a simplistic notion of technique as a synonym for technology, alluding to mere technical processes and machines, but on techne as “the method of doing something according to art” (Maldonado, 2005, p.7). In this context, the designer becomes an essential actor in democratic processes, serving as a co-regulator and participating as a rule-maker in the design of rules, algorithms and structures, even before the creation of imaginaries and forms, in the pursuit of convergence (or divergence) between artificial intelligences and human(wet) intelligences.
时装设计与法律
本文探讨了人工智能(以下简称 AI)在时装设计中的应用,以下列坐标为基础构建了一个三维空间:[复杂性];[教育和培训];[意大利制造]。它们勾勒出一个非常广阔的空间,其中不同的技术--法律、人工智能和设计--应对着当代社会的挑战。它们勾勒出一个深思熟虑的技术创新反思之旅,包括社会经济和文化方面。具体而言,在讨论技术创新问题时,重点不是简单地将技术作为技术的同义词,暗示单纯的技术过程和机器,而是将技术作为 "根据艺术做某事的方法"(Maldonado, 2005, p.7)。在这种情况下,设计师成为民主进程中的重要角色,在设计规则、算法和结构时,甚至在创造想象力和形式之前,就充当共同管理者和规则制定者,追求人工智能和人类(湿)智能之间的融合(或分歧)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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