Postmodernist collage as a method for regeneration of public spaces

Ivan Kuznetsov, Elena Akhmedova
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Abstract

Today's times are characterized by an unprecedented emancipation of creative searches, liberation from canons and stereotypes, a fundamental rejection of the traditions of creativity according to one model, a transition to creativity by «intuition» based on the conditions of a specific order, location, capabilities and desires. The modern architect is preoccupied with the creative search for his «element A» (according to K. Malevich), his creative method, which could indicate the path to creating a new form, a new artistic image. The individualistic principle, together with the desire to achieve unique originality in each new work, and at the same time the desire to accommodate cultural and artistic archetypes of various other eras in one volume-spatial architectural object or in a fragment of the urban architectural environment, adding new reinvented meanings to them and through this achieving architectural and artistic integrity directs us to search for new methods of creating diversity and uniqueness. The new method of «Postmodern Collage» now provides such creative possibilities.
后现代主义拼贴画作为公共空间再生的一种方法
当今时代的特点是创造性探索的空前解放,从教条和陈规陋习中解放出来,从根本上摒弃按照一种模式进行创造的传统,过渡到基于特定秩序、地点、能力和愿望等条件的 "直觉 "创造。现代建筑师专注于创造性地寻找他的 "元素 A"(根据 K. 马列维奇的说法),即他的创造方法,它可以指明创造新形式、新艺术形象的道路。个人主义原则,以及在每件新作品中实现独一无二的原创性的愿望,同时将其他不同时代的文化和艺术原型容纳在一个建筑物体或城市建筑环境片段中,为其添加新的再创造意义,并通过这种方式实现建筑和艺术的完整性的愿望,引导我们寻找创造多样性和独特性的新方法。现在,"后现代拼贴 "这一新方法提供了这种创造性的可能性。
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