{"title":"Performing Reparative Craft: Oreet Ashery’s Passing through Metal","authors":"Natasha Eves","doi":"10.1080/14759756.2023.2272103","DOIUrl":null,"url":null,"abstract":"Passing through Metal (2017–18), a performance by queer interdisciplinary artist Oreet Ashery, is the focus of this paper. Featuring the enigmatic intervention of a death metal band into a collecti...","PeriodicalId":501395,"journal":{"name":"TEXTILE","volume":"11 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-02-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"TEXTILE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14759756.2023.2272103","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Passing through Metal (2017–18), a performance by queer interdisciplinary artist Oreet Ashery, is the focus of this paper. Featuring the enigmatic intervention of a death metal band into a collecti...