Zeitwahrnehmung und -darstellung in Ludwig Tiecks Die Elfen und den Kindermärchen E.T.A. Hoffmanns

Christoph Seifener
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Abstract

The present article discusses three romantic fairy tales which are closely linked by intertextual references and each of which focuses on children as main characters: Ludwig Tieck’s The Elves and E.T.A. Hoffmann’s The Nutcracker and the Mouse King and The Strange Child. The article shows that these works reflect a changed concept and perception of time which emerged during the modernization process. It examines the ways in which the tales make various aspects of this “modern time regime” a subject of discussion and tries to work out how the authors position themselves regarding the problems and conflicts that result from the newly emerging concept of time. While Tieck deals with forms of acceleration embedded in economic interrelations, Hoffmann addresses issues arising from the establishment of time discipline and connects his reflections with his poetic concepts.
路德维希-蒂克的《精灵们》和 E.T.A. 霍夫曼的儿童童话中对时间的感知和表述
本文讨论了三部浪漫主义童话,这三部童话因互文性引用而紧密相连,且每部童话都以儿童为主角:它们分别是路德维希-蒂克的《精灵》、E.T.A. 霍夫曼的《胡桃夹子和老鼠王》以及《奇怪的孩子》。文章指出,这些作品反映了现代化进程中出现的时间概念和观念的变化。文章探讨了这些童话如何将 "现代时间制度 "的各个方面作为讨论的主题,并试图找出作者如何看待新出现的时间概念所带来的问题和冲突。蒂克探讨了经济相互关系中的加速形式,霍夫曼则探讨了建立时间纪律所产生的问题,并将他的思考与他的诗歌概念联系起来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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