Beyond the written word: Investigating Post-Colonial identity through ballooned words and drawn texts in Sarnath Banerjee’s graphic novels

Jerusha Angelene Christabel Godwin, Shilaja C. L.
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Abstract

This study delves into the unique narrative style of graphic novelist Sarnath Banerjee, focusing on his depiction of post-colonial identity in a modern, multilingual Indian context. It examines how Banerjee utilizes both phonetic elements and text to express this theme. Contrary to the perception of comics as trivial, this paper argues that they effectively blend visual and verbal elements, creating multimodal texts where various semiotic elements contribute significantly to meaning-making. Banerjee’s work, characterized as rhizomatic, employs a hybrid symbolic system to navigate the complex postmodern and postcolonial landscape of India. He does so through the use of symbolic, emblematic, and indexical features, which are integral in articulating these societal tensions.
超越书面文字:通过萨纳特-班纳吉(Sarnath Banerjee)图画小说中的气球文字和绘制文本探究后殖民身份认同
本研究深入探讨了图画小说家萨纳特-班纳吉(Sarnath Banerjee)的独特叙事风格,重点关注他在现代多语言印度背景下对后殖民身份的描述。研究探讨了 Banerjee 如何利用语音元素和文字来表达这一主题。与人们认为漫画琐碎的看法相反,本文认为漫画有效地融合了视觉和语言元素,创造出了多模态文本,其中各种符号元素对意义的生成做出了重要贡献。Banerjee 的作品被称为 "根瘤式"(rhizomatic),采用了一种混合符号系统来驾驭印度复杂的后现代和后殖民景观。他通过使用象征性、标志性和索引性特征来实现这一目的,这些特征在阐明这些社会紧张关系方面是不可或缺的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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