In-between Institutional Religion and Folk Faith during the Transition into a Modern Political System – The Case of Giam Temples in Taiwan

Yan-Bo Chen
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Abstract

“Giam” 巖 is a popular type of temple in Taiwan, also called “Giam-a”, referring to religious architecture related the concept of “mountains”. This type of temple was initially recorded as a geographical landscape or scenic attraction and was subsequently extended to indicate a specific form of worship space. This study explores the Giam architecture under the intervention of state power. The intervention process could be divided into two stages. The first stage involved the Investigation of Traditional Customs during the Japanese rule. The second stage involved interventions by the Buddhist Association of the Republic of China (BAROC) after World War II. This study depicts three significant Giam temple cases in Taiwan. From the perspective of spatial layout, architectural form, and ritual, discusses the development results of the Giam temple after the modern state system intervenes in religious affairs. Some Giam temples have made their choice between the folk beliefs and Buddhist beliefs as an adjustment, and others have still coexisted with both religious by separated them with spatial layout and different architectural style. The diverse sociocultural characteristic of the mountains makes the religious in it become the nexus of local power. So, as the state system and policy change, those religious spaces also need to change in some way, adjusting to balance the state and local power.
向现代政治制度过渡期间的制度宗教与民间信仰之间的关系--以台湾的 "暹罗庙 "为例
巖 "是台湾流行的一种寺庙类型,又称 "巖庙",指与 "山 "的概念有关的宗教建筑。这种寺庙最初作为地理景观或风景名胜而被记录下来,后来被引申为一种特定形式的祭祀空间。本研究探讨了国家权力干预下的暹罗建筑。干预过程可分为两个阶段。第一阶段涉及日本统治时期的传统习俗调查。第二阶段是二战后中华民国佛教会(BAROC)的干预。本研究描述了台湾三座重要的暹罗寺庙案例。从空间布局、建筑形式、仪式等方面,探讨现代国家制度介入宗教事务后,暹罗寺庙的发展成果。有的 "暹罗寺 "在民间信仰与佛教信仰之间做出了调整性的选择,有的 "暹罗寺 "则以空间布局和不同的建筑风格将民间信仰与佛教信仰区分开来,实现了民间信仰与佛教信仰的共存。山区多元的社会文化特征,使得山区宗教成为地方权力的核心。因此,随着国家制度和政策的变化,这些宗教空间也需要发生一定的变化,以适应国家和地方权力的平衡。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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