Argentinian Children's Literature and Independent Publishing Houses: Emerging Forms in the Re-editions of María Teresa Andruetto's Poems

Natalia Rodríguez, Rocío Malacarne
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Abstract

This article addresses the relationship between children's literature and the ecosystem of independent publishing houses in Argentina. The first part of the article focuses on describing the editorial operations carried out by independent Argentinian publishers and, by virtue of the examination of their editorial practices, it is argued that their interventions (i.e., their re-editings of literary works) seek to introduce both textual and material innovations to Argentina's editorial landscape. It is also argued that the emergence of these editorial practices manages to resignify literary textualities and book materialities, as well as reading practices. The second half of the article offers an analysis of two works by María Teresa Andruetto that have been re-edited by independent presses in Argentina: Peras and Poesía a la carta. Both re-editions are analysed in view of their editorial kinship to their corresponding collections and catalogues. The analysis of these works (re-edited in picturebook and playbook formats, respectively) illuminates and acknowledges the existence of editorial gestures that, in their mediations/modulations of the canon, strive to challenge age boundaries and intended readerships, as well as conventions on literary genres and their materialities. Ultimately, these features profile the re-editions of Peras and Poesía a la carta as disruptive literary artefacts, insofar as they manage to challenge aesthetic and editorial orthodoxies.
阿根廷儿童文学与独立出版社:玛丽亚-特雷莎-安德鲁埃托诗歌再版中的新兴形式
本文探讨了阿根廷儿童文学与独立出版社生态系统之间的关系。文章的第一部分重点描述了阿根廷独立出版社的编辑业务,并通过对其编辑实践的研究,论证了他们的干预(即对文学作品的重新编辑)力图为阿根廷的编辑领域带来文本和物质上的创新。文章还认为,这些编辑实践的出现设法重新定义了文学文本和图书材料,以及阅读实践。文章的后半部分分析了阿根廷独立出版社重新编辑的玛丽亚-特雷莎-安德鲁埃托的两部作品:《Peras》和《Poesía a la carta》。分析这两部再版作品时,考虑到了它们与相应的作品集和目录之间的编辑关系。对这些作品(分别以图画书和游戏书的形式重新编辑)的分析揭示并承认了编辑姿态的存在,这些姿态在对经典的调解/修改中,努力挑战年龄界限和目标读者群,以及文学流派的惯例及其物质性。最终,这些特点将《佩拉斯》和《卡塔诗歌》的再版描述为具有破坏性的文学作品,因为它们挑战了美学和编辑的正统观念。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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