Non-heroic DIY in the (new) no future: Reflections from the Basque Country

Ion Andoni del Amo Castro, Nicholas Smith, Natxo Rodríguez Arkaute
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Abstract

The present article explores the changes and continuities in the Do It Yourself (DIY) ethos and practices in the Basque Country from the 1960s to the 2020s. In this context, music has had an outsized importance, linked especially to social and cultural movements. We base our analysis in previous works, cultural analysis, and in debates and round tables that we have organised with several young musical bands. The four decades from 1960s are characterised, therefore, by a heroic DIY ethos and practices, inspired by counterculture and nationalism. In the present day, we can talk about a different line on DIY, which paints it as non-heroic, something less idealistic and more conformist/conventional usage of DIY, driven by the new no-future ethos of trap music and online culture.
没有未来的(新)非英雄式 DIY:来自巴斯克地区的思考
本文探讨了 20 世纪 60 年代至 2020 年代巴斯克地区 "自己动手"(DIY)精神和实践的变化与延续。在这一背景下,音乐具有极其重要的意义,尤其与社会和文化运动息息相关。我们的分析基于以往的作品、文化分析以及我们与几个年轻音乐乐队组织的辩论和圆桌会议。因此,从 20 世纪 60 年代开始的四十年间,在反主流文化和民族主义的激励下,DIY 的精神和实践成为了一种英雄主义的特征。时至今日,我们可以对DIY另眼相看,将其描绘成非英雄主义的、不那么理想主义的、更加循规蹈矩/约定俗成的DIY,其驱动力是rap音乐和网络文化的新未来精神。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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