When contexts collapse: How ubiquitous video cameras in the home during COVID-19 pandemic lockdowns transformed family representation

Lauren S. Berliner
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引用次数: 0

Abstract

Utilising interviews from a range of caregivers and teachers alongside textual analysis of circulating and non-circulating videos made by children during the COVID-19 quarantine, this article examines the collaborative, experimental models of media making that emerged at this unique time. Children’s media-making practices during quarantine provided a window into and between personal dwelling spaces and private details, disrupting conventions of family self-representation while forcing a confrontation with the capitalist imperative to separate work and private life and for parents to produce, share, and monetize personal media content. This transformation in home mode media is bound up in making visible the incommensurability of home life and office labour, and the insistence of care (for each other) over careful production (of family and professional images).
当环境崩溃时:在 COVID-19 大流行病封锁期间,家中无处不在的摄像机如何改变了家庭表征
本文通过对一系列保育员和教师的访谈,以及对 COVID-19 隔离期间儿童制作的流通和非流通视频的文本分析,探讨了在这一特殊时期出现的合作性、实验性媒体制作模式。儿童在隔离期间的媒体制作实践为个人居住空间和私人细节提供了一个窗口,打破了家庭自我表述的惯例,同时迫使人们面对资本主义将工作和私人生活分开的要求,以及父母制作、分享个人媒体内容并将其货币化的要求。家庭模式媒体的这一转变与家庭生活和办公室劳动的不可比性,以及(对彼此的)关爱胜过(家庭和职业形象的)精心制作的坚持密不可分。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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