Rethinking the MBA through Hip Hop innovation and Hip Hop innovators: Fat Joe and DJ Khaled pair with two sport × entertainment faculty

C. K. Harrison, Reggie Saunders, Whitney Griffin, Scott J. Bukstein, Jeffrey Porter, Brandon Martin
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Abstract

Theory without relevance for practice in a professional graduate degree has been critiqued by some scholars as a deficit approach when preparing MBA students for the workforce. Scholars and practitioners alike call for more pedagogy in the curriculum with a focus on innovation, creativity, and the involvement of industry practitioners. This paper serves as a case study of a moment in time on Monday, 14 June 2021, when the concept of “pracademics” was realized between two artists and two faculty. Following the transcription of the dialogue between two guest speakers from the Hip Hop world (i.e., Fat Joe and DJ Khaled) and two faculty from the sport management MBA program, the paper analyzes the deeper meaning of their intellectual presence with their expertise in the business of culture (i.e., Hip Hop). Findings reveal how the pairing of Hip Hop artists and faculty in an MBA program can address the innovation gap within global business curricula and models. The broader umbrella of pedagogy and application has implications for other academic disciplines to embrace this concept of pairing academics and industry practitioners.
通过嘻哈创新和嘻哈创新者重新思考 MBA:Fat Joe 和 DJ Khaled 与两位体育×娱乐学院教师结成对子
一些学者批评专业研究生学位的理论与实践脱节,认为这是培养 MBA 学生就业的不足之处。学者和从业人员都呼吁在课程中增加教学法,注重创新、创造力和行业从业人员的参与。2021 年 6 月 14 日星期一,两位艺术家和两位教师共同实现了 "实践学者 "的概念,本文就是对这一时刻的案例研究。本文记录了来自嘻哈界的两位演讲嘉宾(即 Fat Joe 和 DJ Khaled)与体育管理 MBA 课程的两位教师之间的对话,分析了他们在文化(即嘻哈)商业领域的专业知识与知识存在的深层含义。研究结果揭示了嘻哈歌手与 MBA 课程教师的搭配如何解决全球商业课程和模式中的创新差距。更广泛的教学法和应用对其他学科接受这种学者与行业从业者配对的概念具有影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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