Beyond Ophelia: A Deep Dive into the Agency and Constraints of Female Characters in Hamlet

Jiaming Wang
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Abstract

This paper explores the nuanced portrayal of female characters in William Shakespeare’s timeless masterpiece, Hamlet. With a focus on Ophelia and Queen Gertrude, often overshadowed by the titular character, the paper employs a multidimensional approach. It navigates historical and cultural contexts, examining the socio-cultural norms of Elizabethan England and the role of women in Shakespearean drama. The in-depth character analyses of Ophelia and Gertrude unveil their agency and constraints, exploring the impact of external forces on Ophelia’s agency and the Queen’s dilemma as both a mother and a queen. The exploration extends to the absence of prominent female characters in Fortinbras’ narrative, the significance of the play within a play, and a comparative analysis of female characters across Shakespeare’s plays. Reception and criticism are surveyed, from early moralistic interpretations to contemporary feminist readings, offering a historical trajectory of evolving perspectives. The paper concludes by summarizing key findings, emphasizing the profound impact of societal constraints on female agency, and suggesting avenues for future research.
超越奥菲利亚深入探究《哈姆雷特》中女性角色的作用和制约因素
本文探讨了威廉-莎士比亚的永恒杰作《哈姆雷特》中对女性角色的细微刻画。本文采用一种多维方法,重点关注经常被剧中人物所掩盖的奥菲利娅和格特鲁德王后。论文从历史和文化背景出发,研究了伊丽莎白时代英国的社会文化规范以及莎士比亚戏剧中的女性角色。通过对奥菲利娅和格特鲁德的深入人物分析,揭示了她们的能动性和制约因素,探讨了外部力量对奥菲利娅能动性的影响以及王后作为母亲和王后的两难处境。探讨的范围还包括福廷布拉斯的叙事中没有突出的女性角色、剧中剧的意义以及对莎士比亚戏剧中女性角色的比较分析。本文还考察了该剧的接受和评论情况,从早期的道德主义诠释到当代的女性主义解读,提供了一个观点演变的历史轨迹。论文最后总结了主要发现,强调了社会限制对女性能动性的深远影响,并提出了未来研究的途径。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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