Music Therapy Intervention Research Trend Analysis Associated with Post Traumatic Stress Disorder (PTSD): Focusing on Domestic Academic Journals and Theses from 2000 to 2022

Ji Seon Hwang, Ji Kyung Lee
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Abstract

Objectives This study aims to understand the overall flow of past research by analyzing trends in music therapy intervention research related to Post-Traumatic Stress Disorder (PTSD) in South Korea and to present data that will serve as a direction and basis for follow-up research. Methods Initially, it was found 176 studies published between January 2000 and December 2022. A total of 19 papers were finally selected after 8 rounds of literature purification process. This was sequentially classified into research information, characteristics of study participants, and music therapy intervention-related information. Results Among the final 19 studies, 8 were quantitative studies and 9 were qualitative studies. The number of papers published every five years was the highest from 2005 to 2009 and from 2015 to 2019, with 6 papers each. As for the number of research participants, 10 studies (52.63%) had less than 10 participants, and 3 papers (15.79%) had more than 50 participants. 119(28.81%) participants were aged between teens and 40s. The most common type of trauma experienced by participants was ‘repetitive trauma’, with 17 people (89.48%). Regarding music therapy intervention, the independent variable was ‘expressive music activity’, which was the most com-mon with 9 studies(47.37%), and the dependent variable was ‘composite’ variable with two or more areas estab-lished, which was the highest with 8 studies(42.11%). The type of intervention was ‘group’ in 10 cases (52.63%), and the number of sessions was 10 to 19 sessions, 8 cases (42.11%). The intervention time was 40 to 50 minutes in 4 cases (21.05%). Lastly, the location of music therapy intervention was often carried out in a ‘music practice room or music therapy room’. Except for four papers, treatment interventions were performed by professional music therapists. Conclusions This study provided a comprehensive perspective on the characteristics of music therapy for pa-tients with post-traumatic stress disorder (PTSD).
与创伤后应激障碍(PTSD)相关的音乐治疗干预研究趋势分析:聚焦 2000 至 2022 年国内学术期刊和论文
目的 本研究旨在通过分析韩国与创伤后应激障碍(PTSD)相关的音乐疗法干预研究的趋势,了解过去研究的整体流程,并提供数据作为后续研究的方向和基础。研究方法 最初,研究人员找到了 2000 年 1 月至 2022 年 12 月间发表的 176 篇研究论文。经过 8 轮文献筛选,最终选出 19 篇论文。按照研究信息、研究参与者特征和音乐治疗干预相关信息进行了顺序分类。结果 在最终的 19 篇研究中,8 篇为定量研究,9 篇为定性研究。每五年发表的论文数量以 2005 年至 2009 年和 2015 年至 2019 年为最多,分别为 6 篇。在研究参与者人数方面,10 项研究(52.63%)的参与者人数少于 10 人,3 篇论文(15.79%)的参与者人数超过 50 人。119名(28.81%)参与者的年龄介于十几岁到四十几岁之间。参与者最常见的创伤类型是 "重复性创伤",有 17 人(89.48%)。在音乐治疗干预方面,自变量为 "表现性音乐活动 "的研究最多,有9项(47.37%);因变量为 "复合 "变量,包括两个或两个以上的领域,有8项(42.11%)。干预类型为 "小组 "的有 10 项(52.63%),干预次数为 10 至 19 次的有 8 项(42.11%)。干预时间为 40 至 50 分钟的有 4 例(21.05%)。最后,音乐治疗干预的地点通常在 "音乐练习室或音乐治疗室 "进行。除 4 篇论文外,治疗干预均由专业音乐治疗师进行。结论 本研究从一个全面的角度探讨了针对创伤后应激障碍(PTSD)患者的音乐疗法的特点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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