Solidarity of the (Non)Initiates. Women’s Literary Evenings in 1930, 1935 and 1938

Q3 Arts and Humanities
Colloquia Pub Date : 2024-01-24 DOI:10.51554/coll.23.52.06
Agnė Cesiulė
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引用次数: 0

Abstract

The article examines the Women’s Literary Evenings organized by the female members of the organization Ateitis and the magazine Naujoji vaidilutė in 1930, 1935 and 1938, using the sources of public discourse, i.e., reviews of those evenings published in daily newspapers and cultural press. The article takes into account the study carried out by other researchers of that time and the controversies surrounding women’s participation in culture during the 1930s. I analyze the process using a sociological approach to literature and methodological tools from Pierre Bourdieu’s theory on the field of cultural production, which treats the group of women as a limited and non-independent group of participants in the literary field. The article explores the transformations that have taken place in Women’s Literary Evenings over time: the development of those events, the changes in the concept, the reactions of participants and organizers to criticism, and its consequences. It also discusses the changes of the concept of women as writers and the possibilities of their initiation as writers during the period in question (eight years).
非)启蒙者的团结。1930 年、1935 年和 1938 年的妇女文学晚会
文章利用公共话语来源,即在日报和文化报刊上发表的对这些晚会的评论,对 "Ateitis "组织和《Naujoji vaidilutė》杂志的女性成员在 1930 年、1935 年和 1938 年组织的妇女文学晚会进行了研究。文章考虑到了当时其他研究人员进行的研究以及 20 世纪 30 年代围绕妇女参与文化活动的争议。我使用文学社会学方法和皮埃尔-布尔迪厄的文化生产领域理论中的方法论工具分析了这一过程,该理论将妇女群体视为文学领域中有限的、非独立的参与者群体。文章探讨了 "妇女文学晚会 "随着时间推移所发生的变化:这些活动的发展、概念的变化、参与者和组织者对批评的反应及其后果。文章还讨论了在此期间(八年)妇女作为作家的概念的变化,以及她们作为作家开始创作的可能性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Colloquia
Colloquia Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
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