Plastic Like Jellyfish

Nadège Paquette
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Abstract

Ruth Ozeki’s novel A Tale for the Time Being considers bullying at different scales—from individual experience to international and interspecies relations. I will study how the novel portrays the great Pacific garbage patch in order to attend to waste—as bullied and rejected matter—and to further an ethics of entanglement where we are always in the process of being constituted through what we might want to reject. Entanglement is hard to conceptualize at a human scale because it largely exceeds its scope. I argue that this novel functions as a discursive instrument by which immense and minuscule scales of being—from the thousands of years it can take for plastic to biodegrade to the few months a jellyfish is expected to live—can be engaged with from the narrative’s human scale. This engagement allows readers to cultivate intimacy with and responsibility for what exceeds them rather than participating in a culture of bullying. I conclude by exploring the alternatives that the novel proposes to bullying which are the Zen Buddhist principle of not-knowing as well as practices of mourning for human and more-than-human losses.
塑料水母
露丝-奥泽克(Ruth Ozeki)的小说《暂时的故事》(A Tale for the Time Being)从不同层面探讨了欺凌问题--从个人经历到国际关系和物种间关系。我将研究小说是如何描绘太平洋大垃圾场的,以关注作为被欺凌和被拒绝的物质的废物,并进一步探讨纠缠的伦理学,在这一伦理学中,我们始终处于通过我们可能想要拒绝的东西而被构成的过程中。纠缠很难在人类尺度上被概念化,因为它在很大程度上超出了人类的范围。我认为,这本小说作为一种话语工具,从叙事的人类尺度出发,对存在的巨大和微小尺度--从塑料生物降解所需的数千年到水母预期的几个月寿命--进行了探讨。这种参与可以让读者培养与超越他们的事物的亲密关系和责任感,而不是参与欺凌文化。最后,我将探讨小说提出的替代欺凌的方法,即禅宗的 "不可知 "原则以及对人类和超人类损失的哀悼实践。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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