The Power of the Dog: Whose Gaze? Reading Savage's Novel, Watching Campion's Film

IF 0.1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
David Willbern
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引用次数: 0

Abstract

Abstract:

The chapter compares and critiques two versions of one story: the original novel and its cinematic treatment over 50 years later. It briefly reviews changes in clinical and social ideas about gender and sexuality, especially homosexuality, during the 20th and 21st centuries. Then it addresses theoretical differences between the genres of text and film, and the idea of the "male gaze." Through close readings of the novel and the film, it demonstrates energies and tensions between concepts of male and female, gay and straight.

狗的力量谁的目光?阅读萨维奇的小说,观看坎皮恩的电影
摘要:本章比较并评论了一个故事的两个版本:原著小说和 50 多年后的电影处理。它简要回顾了 20 世纪和 21 世纪临床和社会对性别和性,尤其是同性恋观念的变化。然后讨论文本和电影类型之间的理论差异,以及 "男性凝视 "的概念。通过对小说和电影的细读,它展示了男性和女性、同性恋和异性恋概念之间的能量和紧张关系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
AMERICAN IMAGO
AMERICAN IMAGO HUMANITIES, MULTIDISCIPLINARY-
CiteScore
1.00
自引率
0.00%
发文量
29
期刊介绍: Founded in 1939 by Sigmund Freud and Hanns Sachs, AMERICAN IMAGO is the preeminent scholarly journal of psychoanalysis. Appearing quarterly, AMERICAN IMAGO publishes innovative articles on the history and theory of psychoanalysis as well as on the reciprocal relations between psychoanalysis and the broad range of disciplines that constitute the human sciences. Since 2001, the journal has been edited by Peter L. Rudnytsky, who has made each issue a "special issue" and introduced a topical book review section, with a guest editor for every Fall issue.
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