Day Today: Circadian Rhythms and the Sense of Unending in Poetic Diaries by Gertrude Stein and Harryette Mullen

IF 0.1 3区 文学 0 LITERATURE
Paula Vene Smith
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引用次数: 0

Abstract

Abstract:Poetic diaries kept by Gertrude Stein and Harryette Mullen, neither originally intended for publication, offer insight into an unexplored aspect of the diary as literary form: the genre's diurnality (or dailiness) as a shape governed more by seasonal and bodily cycles than by time as measured by clocks or calendars. Mullen has at times responded to Stein as a problematic modernist predecessor, but these two diaries do not engage in direct dialogue. Rather, as Stein's diary encodes the lesbian relationship at the heart of her domestic life and Mullen's diary participates in a newly recovered tradition of African American nature writing, both poets find a welcoming home for subtext in the diurnal rhythms and stylistic conventions of diary form.
今天的一天格特鲁德-斯坦因和哈里特-穆伦诗歌日记中的昼夜节律和无止境感
摘要:格特鲁德-斯坦因(Gertrude Stein)和哈里特-穆伦(Harryette Mullen)的诗歌日记原本都不打算出版,但这两本日记让我们了解到日记作为文学形式的一个未被探索的方面:日记体裁的日复一日性(或日常性),它更多地是受季节和身体周期的影响,而不是受时钟或日历所衡量的时间的影响。穆伦有时将斯坦因视为有问题的现代主义前辈,但这两本日记并没有进行直接对话。相反,斯坦因的日记编码了她家庭生活核心的女同性恋关系,而穆伦的日记则参与了新近恢复的非裔美国人自然写作传统,两位诗人都在日记形式的昼夜节奏和文体习惯中为潜台词找到了温馨的归宿。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
0.20
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