Mobilizing Great War Literature: Rereading the English Canon through Mulk Raj Anand's Across the Black Waters

IF 0.1 3区 文学 0 LITERATURE
Matthew Thompson
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引用次数: 0

Abstract

Abstract:While Great War scholars have recently recovered colonial texts, they seldom use those texts to reassess the English Great War canon. Mulk Raj Anand's depiction of Indian experience in Across the Black Waters highlights the imperial dimensions of English texts from the Great War. The novel depicts Indian soldiers first as travelers through Europe before narrating their experiences of displacement in the horrors of the trenches. This shift calls attention to the English canon's depictions of soldiers' mobility, which similarly shift from travel in initial military mobilization to displacement in the violence of warfare. Across the Black Waters rewrites this characteristic shift to reveal its imperial significance, ultimately transforming the English Great War canon's typical disillusionment with Britain into a critique of empire. Anand's novel invites us to recenter the imperial position in Great War literature: all English narratives are narratives of empire, and Britain at war is always imperial.
动员大战文学:通过 Mulk Raj Anand 的《跨越黑水河》重读英语经典
摘要:虽然大战学者最近恢复了殖民地文本,但他们很少利用这些文本来重新评估英国大战典籍。穆尔克-拉杰-阿南德(Mulk Raj Anand)在《穿越黑水河》(Across the Black Waters)一书中对印度人经历的描写,凸显了英国大战文本的帝国维度。小说首先将印度士兵描绘成穿越欧洲的旅行者,然后才叙述他们在战壕中的恐怖经历。这种转变让人注意到英国典籍中对士兵流动性的描写,这些描写同样从最初的军事动员中的旅行转变为战争暴力中的流离失所。穿越黑水河》改写了这一特征性的转变,揭示了其帝国意义,最终将英国大战作品中典型的对英国的失望转变为对帝国的批判。阿南德的小说邀请我们重新审视大战文学中的帝国立场:所有英国叙事都是帝国叙事,而战争中的英国始终是帝国。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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