The princess, the witch and the fairy godmother: colonial legacies in ‘FGM’

Natasha Carver
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Abstract

This article analyses the discursive construction of what has become known as ‘Female Genital Mutilation’ (FGM) in colonial-era debates in the UK Houses of Parliament. The author shows how, in order to bring the topic into the realm of political legitimacy and to be heard in an institution that had only recently allowed women to stand for office, (White) women MPs emphasised their superiority to the African cultures they were talking about. They fought for inclusion as parliamentarians by re-articulating and aligning themselves with Whitely virtues, positioning themselves as noble, respectable and civilised in contrast to the ‘evil’, ‘abhorrent’ and ‘barbaric’ natives. By delineating the moral distance between themselves and non-White men and women, and by (re)stating female parity as the measure of civilisation, they asserted their own right to full inclusion in the nation-state, using the master’s tools to trouble the master’s house. Ultimately, they gained ground for feminism through the re-articulation of racism. Through historicising and deconstructing the narrative as iterated in the seat of government in colonial times, the author furthers the tentative moves towards decolonising the global campaign against FGM. The article sheds light on the coloniality in the present-day hegemonic narrative of ‘Female Genital Mutilation’ and questions whether there might be less harmful ways to articulate opposition to the practice.
公主、女巫和神仙教母:"切割女性生殖器 "中的殖民遗产
本文分析了英国议会在殖民时代的辩论中对 "女性外阴残割"(FGM)的话语建构。作者展示了(白人)女议员是如何将这一话题带入政治合法性领域,并在一个最近才允许女性竞选公职的机构中发表意见的,她们强调自己比她们所谈论的非洲文化优越。她们以白人的美德来重新诠释和调整自己,将自己定位为高尚、可敬和文明的人,与 "邪恶"、"可恶 "和 "野蛮 "的当地人形成鲜明对比,从而争取成为议员。通过划定自己与非白人男性和女性之间的道德距离,并(重新)将女性平等作为衡量文明的标准,他们维护了自己完全融入民族国家的权利,利用主人的工具给主人的房子制造麻烦。最终,她们通过重新阐述种族主义为女权主义赢得了地位。通过对殖民时代政府所在地反复强调的叙事进行历史化和解构,作者进一步推动了全球反对切割女性生殖器官运动的非殖民化进程。文章揭示了当今 "女性外阴残割 "霸权叙事中的殖民主义色彩,并质疑是否有危害较小的方式来表达对这一做法的反对。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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