{"title":"The motif of returning home in the lyric poetry of Nikolay Rubtsov and Leonid Zavalnyuk","authors":"V. D. Gavrilenko","doi":"10.25587/2222-5404-2023-20-4-64-75","DOIUrl":null,"url":null,"abstract":"The article is devoted to the study of the motif of returning to one’s homeland in the poetry of Nikolay Rubtsov and Leonid Zavalnyuk. The biographical research method makes it possible to identify the reasons that make the motif of returning to one’s homeland one of the key motifs in the poetry of Rubtsov and Zavalnyuk. The childhood of the poets, the early lost of mothers, the war years, both being orphans with living fathers, and being forced to leave their homes for many years. A comparative typological analysis allows us to identify the commonality in the revelation of this motif: the return to the homeland as a return to the idyllic world of lost childhood. Moreover, in the poems of both poets the image of their small homeland is presented in two time dimensions: past and present. Using the technique of contrast, the authors show the radical changes in the native space, the inability to accept the changes that have occurred. A comparison of the motif of returning to home reveals not only the similarities, but also the differences in the worldview of the two poets. Turning to the image of a small homeland, Rubtsov continues Yesenin’s traditions, his attention is directed to the Russian village, rural nature, the motif of the death of the traditional way of life. For Zavalnyuk, the motif of returning to his homeland takes on a new meaning: returning to his true self, restoring his own integrity, accepting himself. The analysis of poetic texts is based on the works of A. N. Veselovsky, B. M. Gasparov, M. L. Gasparov, N. D. Tamarchenko, V. I. Tyupa. The results of the study can be applied when studying the history of Russian literature and literary local history at universities and schools.","PeriodicalId":208899,"journal":{"name":"Vestnik of North-Eastern Federal University","volume":"100 12","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Vestnik of North-Eastern Federal University","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.25587/2222-5404-2023-20-4-64-75","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
The article is devoted to the study of the motif of returning to one’s homeland in the poetry of Nikolay Rubtsov and Leonid Zavalnyuk. The biographical research method makes it possible to identify the reasons that make the motif of returning to one’s homeland one of the key motifs in the poetry of Rubtsov and Zavalnyuk. The childhood of the poets, the early lost of mothers, the war years, both being orphans with living fathers, and being forced to leave their homes for many years. A comparative typological analysis allows us to identify the commonality in the revelation of this motif: the return to the homeland as a return to the idyllic world of lost childhood. Moreover, in the poems of both poets the image of their small homeland is presented in two time dimensions: past and present. Using the technique of contrast, the authors show the radical changes in the native space, the inability to accept the changes that have occurred. A comparison of the motif of returning to home reveals not only the similarities, but also the differences in the worldview of the two poets. Turning to the image of a small homeland, Rubtsov continues Yesenin’s traditions, his attention is directed to the Russian village, rural nature, the motif of the death of the traditional way of life. For Zavalnyuk, the motif of returning to his homeland takes on a new meaning: returning to his true self, restoring his own integrity, accepting himself. The analysis of poetic texts is based on the works of A. N. Veselovsky, B. M. Gasparov, M. L. Gasparov, N. D. Tamarchenko, V. I. Tyupa. The results of the study can be applied when studying the history of Russian literature and literary local history at universities and schools.
本文致力于研究尼古拉-鲁布佐夫和列昂尼德-扎瓦尔纽克诗歌中的回归祖国主题。通过传记研究方法,可以找出使 "回归祖国 "这一主题成为鲁布佐夫和扎瓦尔纽克诗歌中重要主题之一的原因。诗人的童年、早年失去母亲、战争年代、两人都是父亲健在的孤儿,以及被迫离开家园多年。通过类型学的比较分析,我们可以发现这一主题的共同点:回归故土是回到失去的童年的田园世界。此外,在两位诗人的诗作中,他们的小故乡的形象是在两个时间维度上呈现的:过去和现在。通过对比手法,作者展示了故乡空间的巨大变化,以及对已发生变化的无法接受。通过对 "回乡 "这一主题的比较,不仅可以看出两位诗人在世界观上的相似之处,也可以看出他们在世界观上的不同之处。鲁布佐夫在谈到小故乡的形象时,延续了叶赛宁的传统,他的注意力转向了俄罗斯村庄、乡村自然、传统生活方式消亡的主题。对于扎瓦尔纽克来说,回归故乡的主题有了新的含义:回归真实的自我,恢复自我的完整性,接受自我。对诗歌文本的分析基于 A. N. Veselovsky、B. M. Gasparov、M. L. Gasparov、N. D. Tamarchenko、V. I. Tyupa 的作品。研究成果可用于大学和中小学的俄罗斯文学史和地方文学史研究。