{"title":"Exploring the Development and Breakthrough of Online Variety Shows from the Perspective of Youth Subculture","authors":"Zhengyang Liu","doi":"10.54254/2753-7064/24/20231672","DOIUrl":null,"url":null,"abstract":"Many program formats are shifting from traditional variety shows to online variety shows as internet technology continues to develop. Online video platforms, led by iQiyi, have focused their content creation on the market for online self-produced variety shows. In many fields, program teams and directors choose youth subculture as the core creative concept of the programs. Different audience groups can find organizations and be entertained within their respective niches. In this thesis, we will take two classic online subculture variety shows, U Can U BB and Street Dance of China, as examples to explore how the in-depth combination of youth subcultures and online variety shows has aroused attention and threatened mainstream culture. At the same time, mainstream ideology and capital have been incorporated into the subculture market, and the modern audiovisual industry needs to reap stable benefits from the transition. In addition, the research methods of case studies of Chinese internet variety shows and comparative analysis will be utilized, bringing new thoughts and inspiration to media practitioners and content creators.","PeriodicalId":505305,"journal":{"name":"Communications in Humanities Research","volume":"52 2","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-01-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Communications in Humanities Research","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.54254/2753-7064/24/20231672","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Many program formats are shifting from traditional variety shows to online variety shows as internet technology continues to develop. Online video platforms, led by iQiyi, have focused their content creation on the market for online self-produced variety shows. In many fields, program teams and directors choose youth subculture as the core creative concept of the programs. Different audience groups can find organizations and be entertained within their respective niches. In this thesis, we will take two classic online subculture variety shows, U Can U BB and Street Dance of China, as examples to explore how the in-depth combination of youth subcultures and online variety shows has aroused attention and threatened mainstream culture. At the same time, mainstream ideology and capital have been incorporated into the subculture market, and the modern audiovisual industry needs to reap stable benefits from the transition. In addition, the research methods of case studies of Chinese internet variety shows and comparative analysis will be utilized, bringing new thoughts and inspiration to media practitioners and content creators.
随着互联网技术的不断发展,许多节目形式正从传统综艺节目向网络综艺节目转变。以爱奇艺为首的网络视频平台将内容创作的重点放在了网络自制综艺节目市场。在很多领域,节目团队和导演都选择青年亚文化作为节目的核心创作理念。不同的受众群体可以在各自的细分领域中找到组织并获得娱乐。在本论文中,我们将以《U Can U BB》和《中国街舞》两档经典亚文化网络综艺为例,探讨青年亚文化与网络综艺的深度结合是如何引发关注并威胁主流文化的。同时,主流意识形态和资本也融入亚文化市场,现代视听产业需要在转型中获得稳定收益。此外,还将运用中国网络综艺节目案例分析、比较分析等研究方法,为媒体从业者和内容创作者带来新的思考和启发。