A Tale of Three Brothers: Ezra, Meʾir, and Hayyawi Sawdaʾi and the History of an Iraqi Jewish Cinema Business

Pelle Valentin Olsen
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Abstract

In Iraq, like elsewhere in the region, cinemagoing became a popular form of leisure in the 1920s and 1930s. The emergence of permanent indoor and outdoor cinemas during this period gave rise to new consumption practices, ways of inhabiting the city, opportunities for investors and entrepreneurs, and the creation of a leisure and entertainment economy that was both modern, international, and Iraqi. In the early 1930s, three Jewish brothers, Ezra, Meʾir, and Hayyawi Sawdaʾi, began transforming their family's wealth from one based in regional trading to a modern cinema business. During the period of British colonial rule, Iraq was forcefully integrated into a global, Western dominated market economy and the brothers tried their hands at several import and local businesses before eventually finding their niche in entertainment. They rented movie theaters, built cinemas, established themselves as prime importers of foreign movies, and left a deep imprint on the Iraqi film industry.
三兄弟的故事:以斯拉、米尔和海亚维-索达和伊拉克犹太电影业的历史
在伊拉克,与该地区其他地方一样,看电影在二十世纪二三十年代成为一种流行的休闲方式。在此期间,永久性室内和室外电影院的出现催生了新的消费方式、城市居住方式、投资者和企业家的机会,并创造了一种既现代、国际化又具有伊拉克特色的休闲娱乐经济。20 世纪 30 年代初,犹太三兄弟埃兹拉、迈尔和哈亚维-索达ʾ伊开始将家族财富从地区贸易转变为现代电影业。在英国殖民统治时期,伊拉克被迫融入了以西方为主导的全球市场经济,兄弟俩尝试了多种进口和本地业务,最终在娱乐业找到了自己的定位。他们租用电影院,建造电影院,成为外国电影的主要进口商,并在伊拉克电影业留下了深刻的烙印。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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