Differences Between Two Shakespearean Adaptations: An Analysis of Two Film Adaptations of The Tempest from the Perspective of Gender

Xinyu Kong
{"title":"Differences Between Two Shakespearean Adaptations: An Analysis of Two Film Adaptations of The Tempest from the Perspective of Gender","authors":"Xinyu Kong","doi":"10.54254/2753-7064/26/20232080","DOIUrl":null,"url":null,"abstract":"In recent years, some social phenomenon (e.g. changes in clothing of male and female) reveals that the gender identity is gradually changing. This essay mainly focuses on analyzing gender differences in the two adaptations of Shakespeares tragicomedy The Tempest. The two selected films are The Tempest directed by George Schaefer in 1960 and directed by Julie Taymor in 2010. This essay is attempting to find out in what way do the male and female characters change in the film in 2010 compared with the film in 1960. Although, Shakespeares work had already been adapted and researched by a considerable number of playwrights, directors and scholars, as the last work of Shakespeare, The Tempest has many uniqueness. This essay will analyze the two films from the perspective of film technology and text, pointing out the differences between the male and female characters in the two films, so as to reflect on the transformations of gender concepts and the trend of female social status.","PeriodicalId":505305,"journal":{"name":"Communications in Humanities Research","volume":"63 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-01-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Communications in Humanities Research","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.54254/2753-7064/26/20232080","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

Abstract

In recent years, some social phenomenon (e.g. changes in clothing of male and female) reveals that the gender identity is gradually changing. This essay mainly focuses on analyzing gender differences in the two adaptations of Shakespeares tragicomedy The Tempest. The two selected films are The Tempest directed by George Schaefer in 1960 and directed by Julie Taymor in 2010. This essay is attempting to find out in what way do the male and female characters change in the film in 2010 compared with the film in 1960. Although, Shakespeares work had already been adapted and researched by a considerable number of playwrights, directors and scholars, as the last work of Shakespeare, The Tempest has many uniqueness. This essay will analyze the two films from the perspective of film technology and text, pointing out the differences between the male and female characters in the two films, so as to reflect on the transformations of gender concepts and the trend of female social status.
两部莎士比亚改编作品的差异:从性别角度分析《暴风雨》的两部电影改编本
近年来,一些社会现象(如男女服装的变化)揭示了性别认同正在逐渐发生变化。本文主要分析莎士比亚悲喜剧《暴风雨》两部改编电影中的性别差异。所选的两部电影分别是乔治-谢弗(George Schaefer)于 1960 年执导的《暴风雨》和朱莉-泰莫(Julie Taymor)于 2010 年执导的《暴风雨》。本文试图找出 2010 年的电影与 1960 年的电影相比,男女角色在哪些方面发生了变化。尽管莎士比亚的作品已被众多剧作家、导演和学者改编和研究,但作为莎士比亚的最后一部作品,《暴风雨》仍有许多独特之处。本文将从电影技术和文本角度对两部电影进行分析,指出两部电影中男女角色的不同之处,从而反思性别观念的转变和女性社会地位的变化趋势。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 求助全文
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信