{"title":"Caste and Gender Politics: An Understanding of Dalit Consciousness in the Poems of Contemporary Dalit Writers","authors":"Gunja Patni, Sheehan S. Khan","doi":"10.1177/2455328x231209628","DOIUrl":null,"url":null,"abstract":"Dalit women face endemic gender and caste discrimination and violence as a result of extreme unequal social, economic, and political power equations because of their vulnerability at the bottom of India’s caste, class, and gender hierarchies. Their socio-economic weakness and lack of political power, combined with the main risk factors of being Dalit and female, heighten their exposure to potentially violent Circumstances, hindering their rights to live with dignity and reach their full potential. The poems of three contemporary Dalit feminist writers, namely, Meena Kandasamy (1984–), Aruna Gogulamanda (1970–) and Sukirtharani (1973–) appear to be an encyclopaedia of painful catalogues, some heard and some experienced. Their witty arguments and unbashful and uncompromising writing style not only unleash the power/caste/sexual politics at hand but also suggest ways of emancipation for women and an era of liberation for them. The article aims to uncover the intersectionality of caste and gender—through a reading of select poets’ works—exposing the exploitation, oppression, violence and marginalization that reflects on the Dalit female body inhibiting from and affecting the physical, psychological, economic and social dimensions. It will do so by employing various post-modern critical scholarships on caste/gender politics, politics of the body, identity, self, subjectivity, agency, and its attendant issues. Thus, by using the female body as an ingress the article through critical analysis of the select poems will showcase a paradigm shift in understanding the self via body hence suggesting ways for Dalit women’s agency/emancipation. By highlighting the experiences of marginalized female voices, this research contributes to a deeper understanding of gender dynamics, caste politics within Indian society, ultimately prompting discussions on the need for caste and gender equity and inclusivity in contemporary India.","PeriodicalId":53196,"journal":{"name":"Contemporary Voice of Dalit","volume":"55 10","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2024-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Contemporary Voice of Dalit","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/2455328x231209628","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"SOCIAL SCIENCES, INTERDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
Abstract
Dalit women face endemic gender and caste discrimination and violence as a result of extreme unequal social, economic, and political power equations because of their vulnerability at the bottom of India’s caste, class, and gender hierarchies. Their socio-economic weakness and lack of political power, combined with the main risk factors of being Dalit and female, heighten their exposure to potentially violent Circumstances, hindering their rights to live with dignity and reach their full potential. The poems of three contemporary Dalit feminist writers, namely, Meena Kandasamy (1984–), Aruna Gogulamanda (1970–) and Sukirtharani (1973–) appear to be an encyclopaedia of painful catalogues, some heard and some experienced. Their witty arguments and unbashful and uncompromising writing style not only unleash the power/caste/sexual politics at hand but also suggest ways of emancipation for women and an era of liberation for them. The article aims to uncover the intersectionality of caste and gender—through a reading of select poets’ works—exposing the exploitation, oppression, violence and marginalization that reflects on the Dalit female body inhibiting from and affecting the physical, psychological, economic and social dimensions. It will do so by employing various post-modern critical scholarships on caste/gender politics, politics of the body, identity, self, subjectivity, agency, and its attendant issues. Thus, by using the female body as an ingress the article through critical analysis of the select poems will showcase a paradigm shift in understanding the self via body hence suggesting ways for Dalit women’s agency/emancipation. By highlighting the experiences of marginalized female voices, this research contributes to a deeper understanding of gender dynamics, caste politics within Indian society, ultimately prompting discussions on the need for caste and gender equity and inclusivity in contemporary India.