M.N. Zhirkov – the first researcher of the Yakut khomus: questions of origin, execution, existence

T. V. Pavlova-Borisova
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Abstract

The article is devoted to a previously unexplored problem - M.N. Zhirkov's study of the Yakut khomus, the study of which he undertook for the first time in the history of Yakut musical culture. The author of this article summarizes for the first time the aspects posed by the researcher about the Yakut khomus. The subject of research is the scientific views of M.N. Zhirkov about the Yakut musical instrument - the khomus. The object of study is the scientific heritage of the first Yakut composer and an outstanding musical figure. The main results of our research are the following theses. At the beginning of the twentieth century, there was an increase in interest in traditional musical instruments and their performing practices. This statement is also relevant in relation to the Yakut khomus, which in modern conditions is experiencing its revival and active introduction into musical and cultural turnover. The article uses a retrospective and historical-comparative, as well as a comprehensive research method, in which the khomus is considered as an integral part of the traditional, and now wider, musical culture of the Yakuts, taking into account the data available today from archaeology, ethnography, and history. M.N. Zhirkov is presented as the first researcher of the Yakut khomus and as the composer and founder of the national school of composition. In the fundamental work "Yakut folk Music", published only after almost half a century after author's death (a new edition of this study dates back to 2022, made in an edition preserving the style and position of M.N. Zhirkov from the standpoint of the historical time when the famous scientific work was created), its author for the first time turned his gaze to the issues of the origin, existence, and functioning of the khomus in the traditional musical culture of the Yakuts. The materials presented by him have not previously been generalized in the scientific literature and are of great interest to modern researchers of the Yakut Khomus.
M.N. Zhirkov - 雅库特呼麦的第一位研究者:起源、执行和存在问题
这篇文章专门讨论了一个以前未曾探讨过的问题--M.N. Zhirkov 对雅库特呼麦的研究,他对呼麦的研究在雅库特音乐文化史上尚属首次。本文作者首次总结了研究员提出的有关雅库特呼麦的各个方面。研究主题是 M.N. Zhirkov 关于雅库特乐器--"霍姆斯 "的科学观点。研究对象是首位雅库特作曲家和杰出音乐家的科学遗产。我们的主要研究成果如下。二十世纪初,人们对传统乐器及其演奏方法的兴趣与日俱增。这一论断也与雅库特胡姆斯有关,在现代条件下,雅库特胡姆斯正在经历复兴,并被积极引入音乐和文化更替中。文章采用了回顾、历史比较和综合研究的方法,结合考古学、人种学和历史学的现有资料,将霍姆斯视为雅库特人传统音乐文化的一个组成部分。M.N. Zhirkov 是雅库特民间音乐的第一位研究者,也是作曲家和国家作曲学校的创始人。在作者逝世近半个世纪后才出版的基础著作《雅库特民间音乐》中(该研究的新版本可追溯到 2022 年,其版本保留了 M.N.日尔科夫在这一著名科学著作创作的历史时期的风格和立场),作者首次将目光转向了雅库特传统音乐文化中 "呼麦 "的起源、存在和作用等问题。他所提供的材料以前从未在科学文献中普及过,对现代雅库特呼麦研究者具有重大意义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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