Representation Of Woman In Urdu Literature

MAIRAJ Pub Date : 2024-01-02 DOI:10.58760/mairaj.v2i2.22
Muhammad Ahmed Awan, Abdul Khalique
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Abstract

In the early period of literature, the concept of woman was completely traditional i.e. she had an exhibition status. Early Urdu poetry consisted of imaginations. In which woman appears as a lover. Here, the woman was either a queen or a princess. If she was a maidservant, she was so beautiful that men fell down and fainted as soon as they saw her. In Urdu poetry too, the poets distorted the original form of woman. Here, woman were limited to the limits of lovers and prostitutes, thus, in Urdu poetry and literature, woman came to be seen as an unfaithful concubine and the most important source of luxury and sensual pleasure for men. There is no mention of a woman from an average noble family because even taking a woman's name was considered bad during that time. Western education changed the makeup of the Indian woman to some extent. She realized her inferiority. He realized for the first time that there was a world outside the home.
乌尔都语文学中的女性形象
在早期的文学作品中,女性的概念是完全传统的,即她具有展示的地位。早期的乌尔都语诗歌由想象构成。在这些诗歌中,女人以情人的形象出现。在这里,女人要么是王后,要么是公主。如果她是女仆,那么她是如此美丽,以至于男人一看到她就会倒下并晕倒。在乌尔都语诗歌中,诗人也扭曲了女人的原始形态。因此,在乌尔都语诗歌和文学中,女人被视为不忠的妾室,是男人奢侈和感官享受的最重要来源。在乌尔都语诗歌和文学中,女人被视为不忠的妾,是男人奢侈和感官享乐的最重要来源。没有提到过来自普通贵族家庭的女人,因为在那个时代,即使是取女人的名字也被认为是不好的。西方教育在一定程度上改变了印度女性的构成。她意识到了自己的劣根性。他第一次意识到家庭之外还有一个世界。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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