Si(gh)ting the City: An Uber View of Calcutta

Neha Gupta
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Abstract

In this article, I take a socio-material approach to highlight the changes in the legibility of the built environment due to digital interfacing and the subsequent fragmentation of urban space. Using Uber as an example, I demonstrate how app-reliant mobility practices, reflexive of the changing mobility values in the city of Calcutta, manifest certain “temporal spaces”—quasi-virtual spaces of the online/digital-offline/material continuum—that imbricate the physicality of the city with the digital traces that Uber accrues about a particular location and the data about the rhythms of the individual users within that space. The investigation uses screenshots of Uber pick-up points to conceptualize legibility in the context of temporal spaces and how this changing legibility alters the kinaesthetic quality of Calcutta. Siting the argument in postrepresentationalist thought—one that does not assume an ontological distinction between representations and the referent—this article offers a posthumanist account of spatial performativity that considers the everyday entanglements of human actors, social practices, networked technologies, algorithms, and interfaces that render “legible” the urban space.
城市生活:加尔各答的 Uber 观点
在这篇文章中,我采用了一种社会物质方法,来强调由于数字界面和随之而来的城市空间碎片化而导致的建筑环境可辨识性的变化。以优步(Uber)为例,我展示了在加尔各答市,依赖应用程序的移动实践如何反映出不断变化的移动价值观,如何体现出特定的 "时间空间"--在线/数字-离线/物质连续体的准虚拟空间--将城市的物理性与优步积累的特定地点的数字痕迹以及该空间内个人用户的节奏数据交织在一起。调查使用 Uber 上客点的截图,在时间空间的背景下概念化可读性,以及这种不断变化的可读性如何改变加尔各答的运动美学质量。后表象主义思想并不假定表象与所指之间存在本体论上的区别,本文以这种思想为基础,对空间表演性进行了后人文主义的阐述,考虑了人类行动者、社会实践、网络技术、算法和界面之间的日常纠葛,这些纠葛使得城市空间变得 "可读"。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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