On the Specificities of the Arion Mosaic in the Villa del Casale (Piazza Armerina): Contribution to the Study of Arion Representations in Ancient Art

Anđela Đ. Gavrilović
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Abstract

The paper deals with the representation of Arion on the monumental floor mosaic in one of the most representative rooms of the Roman Villa del Casale in Sicily, dating from the beginning of the 4th century (fig. 1, 2). It is special in many respects. It is the most monumental and magnificent representation of Arion in ancient art. Arion is depicted in the central part of а complex mosaic consisting of many scenes, figures and motifs. He is sitting on a dolphin and playing music on his instrument. The dolphin motif in this scene is unique and not examined in the literature, leaving much room for research. To our knowledge, it is a unique example of a dolphin ridden by Arion, shown hunting its prey, which is certainly not a coincidence or a descriptive detail of the artist, but a reflection of his knowledge and the clear intention of the patrons of the mosaic. On the contrary, this detail subtly explains the meaning of the entire mosaic illustrating the story of Arion and the reasons for his appearance. It suggests that the owners of the villa either belonged to the highest Roman aristocracy of their time, or perhaps were even related to the imperial family. By examining the history of the specific dolphin motif it is shown that this detail bears  the symbolism of victory, thus, corresponding to the meaning of the Arion mosaic and other mosaics in Villa del Casale.
论卡萨莱别墅(阿尔梅里纳广场)中阿里翁马赛克的特殊性:对古代艺术中阿里翁形象研究的贡献
本文论述的是西西里岛罗马卡萨莱别墅最具代表性的房间之一的纪念性地板马赛克上的阿里翁形象,其历史可追溯到 4 世纪初(图 1、2)。它在许多方面都很特别。它是古代艺术中最不朽、最宏伟的阿里翁形象。阿里翁位于由许多场景、人物和图案组成的复杂马赛克的中央部分。他坐在海豚上,用乐器演奏音乐。这个场景中的海豚图案是独一无二的,文献中也没有对其进行研究,因此还有很大的研究空间。据我们所知,这是阿里翁骑着海豚捕食猎物的独特例子,这当然不是巧合,也不是艺术家的描述性细节,而是反映了他的知识和马赛克赞助人的明确意图。相反,这个细节巧妙地解释了整个马赛克的含义,说明了阿里翁的故事和他出现的原因。它表明,别墅的主人可能属于当时罗马的最高贵族,甚至可能与皇室有关。通过研究特定海豚图案的历史,可以发现这一细节具有胜利的象征意义,因此与阿里翁马赛克和卡萨莱别墅中其他马赛克的含义相吻合。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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