{"title":"A New Woman Dialogue with Aestheticism and Decadence: Netta Syrett’s Short Stories for The Yellow Book","authors":"Lucy Ella Rose","doi":"10.1093/jvcult/vcad044","DOIUrl":null,"url":null,"abstract":"\n Focusing on critically neglected works by prolific writer Netta Syrett (1865–1943), this article reveals her New Woman dialogue with aestheticism and decadence in her early short stories written for the iconic 1890s periodical The Yellow Book: primarily, ‘A Correspondence’ (1895) and ‘Far Above Rubies’ (1897). Together they trace Syrett’s increasingly assertive voice and navigation of the period’s seemingly competing but intersecting aesthetic, decadent and feminist movements. I argue that Syrett uses aesthetic and decadent discourses as strategic vehicles for the articulation of the evolving feminist ideas more fully expressed in her later pro-suffrage works. Specifically, her stories register her response to the male elitism and misogyny of aestheticism and decadence through a critical engagement with their tropes (exotic setting; aestheticized interior; femme fatale) and discourses (of mythology; statuary; floriography) in order to challenge the objectification and marginalization of women by masculinist culture using its own terms of reference. Syrett’s stories are thus discursive spaces through which she articulates anxieties about women’s place in, or exclusion from, aestheticism and decadence, asserting her role in these movements as both participant and critic. This article thus offers a more comprehensive understanding of the evolving discourses of, as well as the dialogues and debates enacted by, fin-de-siècle women’s writing, shedding new light on the aesthetic and decadent movements.","PeriodicalId":43921,"journal":{"name":"Journal of Victorian Culture","volume":"6 11","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2024-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Victorian Culture","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1093/jvcult/vcad044","RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"HISTORY","Score":null,"Total":0}
引用次数: 0
Abstract
Focusing on critically neglected works by prolific writer Netta Syrett (1865–1943), this article reveals her New Woman dialogue with aestheticism and decadence in her early short stories written for the iconic 1890s periodical The Yellow Book: primarily, ‘A Correspondence’ (1895) and ‘Far Above Rubies’ (1897). Together they trace Syrett’s increasingly assertive voice and navigation of the period’s seemingly competing but intersecting aesthetic, decadent and feminist movements. I argue that Syrett uses aesthetic and decadent discourses as strategic vehicles for the articulation of the evolving feminist ideas more fully expressed in her later pro-suffrage works. Specifically, her stories register her response to the male elitism and misogyny of aestheticism and decadence through a critical engagement with their tropes (exotic setting; aestheticized interior; femme fatale) and discourses (of mythology; statuary; floriography) in order to challenge the objectification and marginalization of women by masculinist culture using its own terms of reference. Syrett’s stories are thus discursive spaces through which she articulates anxieties about women’s place in, or exclusion from, aestheticism and decadence, asserting her role in these movements as both participant and critic. This article thus offers a more comprehensive understanding of the evolving discourses of, as well as the dialogues and debates enacted by, fin-de-siècle women’s writing, shedding new light on the aesthetic and decadent movements.