Disappearing Out of Existence: An Examination of Identity in East of Eden

IF 0.9 0 LITERATURE, AMERICAN
Jennifer Ren
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引用次数: 0

Abstract

Abstract:In John Steinbeck’s East of Eden, Cathy Ames is initially identified as a monster. However, both Cathy and Steinbeck reveal the disarming normalness of her psyche. Scholars tend to simply accept the label of “monster” without fully examining the formation of Cathy’s identity. To truly understand Cathy, it is important to examine her connection to Alice—both the Alice from Alice in Wonderland and Alice Trask. My paper will examine the formation of Cathy’s identity through the millennial lens of perspective. In the twenty-first century, people are increasingly trying to see things from other people’s perspective. However, more than half a century ago, Steinbeck was already questioning how tolerant or judgmental people should be in labeling another person’s identity. He creates Cathy to be a horrifying monster who unexpectedly has the qualities of a fictional child, Alice in Wonderland, and a meek housewife, Alice Trask. Furthermore, both Alices contain the key to Cathy’s deepest desire—the anti-monstrous desire to disappear out of existence. By connecting Cathy’s story to the two Alices, Steinbeck shows how elusive yet familiar another individual’s identity can be.
从存在中消失伊甸园之东》中的身份审视
摘要:在约翰-斯坦贝克的《伊甸园之东》中,凯茜-艾姆斯最初被认定为一个怪物。然而,凯茜和斯坦贝克都揭示了她令人不安的正常心理。学者们倾向于简单地接受 "怪物 "这一标签,而没有充分研究凯茜身份的形成过程。要真正理解凯茜,就必须研究她与爱丽丝--《爱丽丝梦游仙境》中的爱丽丝和爱丽丝-特拉斯克--的联系。本文将从千禧年的视角审视凯茜身份的形成。在二十一世纪,人们越来越多地尝试从他人的角度看问题。然而,早在半个多世纪前,斯坦贝克就已经开始质疑人们在给他人的身份贴标签时应该采取怎样的宽容态度或评判标准。他把凯茜塑造成一个可怕的怪物,却意外地兼具了小说中的儿童爱丽丝和温顺的家庭主妇爱丽丝-特拉斯克的特质。此外,这两个 "爱丽丝 "都蕴含着凯茜内心深处的渴望--反怪物的渴望,即消失于世间。斯坦贝克将凯茜的故事与两只 "爱丽丝 "联系在一起,向读者展示了另一个人的身份是多么难以捉摸却又如此熟悉。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Steinbeck Review
Steinbeck Review LITERATURE, AMERICAN-
CiteScore
0.10
自引率
0.00%
发文量
12
期刊介绍: Steinbeck Review is an authorized publication on the life and works of American novelist John Steinbeck (1902–1968). It publishes scholarly articles; notes; book and performance reviews; creative writing; original artwork; and short intercalary pieces offering fresh perspectives, including notes on contemporary references to Steinbeck, discussions of the contexts of his work, and an occasional poem. Steinbeck Review has a threefold mission of broadening the scope of Steinbeck criticism, promoting the work of new and established scholars, and serving as a resource for Steinbeck teachers at all levels.
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