Tokyo Listening: Sound and Sense in a Contemporary City by Lorraine Plourde (review)

IF 0.2 2区 艺术学 0 ASIAN STUDIES
Eric Hung
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引用次数: 0

Abstract

we approach and redefine broadcasting “with viewers and listeners of the narrowcastasbroadcast engaging in live time or afterwards in soughtafter comments and ‘likes’ ” (chapter 3, 55)? How or to what extent does the highly political and economically charged jargon of APAC present an alternative to “the problematic descriptor ‘Oriental’ ” (introduction, 2)? Or how should we apply it in a context in which Lisu radio programs are broadcast by a media organization called Far East Broadcasting Company (chapter 2, 33)? It would have been useful if some of these larger comparative and theoretical dimensions, as well as suggestions for further research, had been addressed in an additional concluding chapter by the book editors. This is not to devalue the book’s merits outlined previously. In thoughtprovoking ways, the authors demonstrate how music, media, and technology cross, and in often ingenious ways intersect, the fields of individual expression, community building, state ideology, religion, customary tradition, commerce, identity politics, selfdetermination, and resistance. Throughout the region, the arts, the media, and their sociopolitical contexts have been the products of the historical and contemporary connections, tensions, and sometimes unlikely alliances and collaborations between performers, media producers, consumers, governments, civil society organizations, and activists. One of the book’s key contributions lies in making its readers realize that the region’s music and broadcasting practices and broader cultural, social, and political landscapes are shaped by paradoxes and unpredictability, in themselves unique, at least as much as they are by socalled intrinsic features or fundamental traits.
东京倾听:Lorraine Plourde 著的《东京聆听:当代城市中的声音与感觉》(评论)
我们如何对待并重新定义广播,"让窄播即广播的观众和听众在现场或事后参与评论和'点赞'"(第 3 章,55)?亚太地区 "这一高度政治化和经济化的术语如何或在多大程度上替代了"'东方'这一有问题的描述"(引言,2)?或者,在傈僳族广播节目由一家名为 "远东广播公司"(第 2 章,33 节)的媒体机构播出的背景下,我们应该如何应用它?如果本书编者能在最后一章讨论其中一些较大的比较和理论问题,并提出进一步研究的建议,那将会非常有用。这并不是要贬低本书前面概述的优点。作者们以发人深省的方式展示了音乐、媒体和技术是如何跨越个人表达、社区建设、国家意识形态、宗教、传统习俗、商业、身份政治、自决和反抗等领域的,而且往往是以巧妙的方式交叉在一起的。在整个地区,艺术、媒体及其社会政治背景是表演者、媒体制作者、消费者、政府、公民社会组织和活动家之间的历史和当代联系、紧张关系以及有时不太可能的联盟与合作的产物。本书的主要贡献之一在于让读者认识到,该地区的音乐和广播实践以及更广泛的文化、社会和政治景观是由矛盾和不可预测性所塑造的,其本身是独一无二的,至少与所谓的内在特征或基本特征一样。
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来源期刊
ASIAN MUSIC
ASIAN MUSIC Multiple-
自引率
33.30%
发文量
23
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