The Pleasures of Parikan in Malang, East Java: An Analysis of Text and Music in the Dance Ngremo Putri

IF 0.2 2区 艺术学 0 ASIAN STUDIES
Christina Sunardi
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Abstract

Abstract:Drawing on ethnographic fieldwork in Malang, analysis of song texts, analysis of the setting of texts to gamelan music, and the work of Deborah Wong (2015, 2019), Alisha Lola Jones (2018), and others, I argue that a powerful physicality of pleasure provided a mechanism for performers to assert and produce east Javaneseness as they taught me to sing a form of poetry called parikan in the course of performing the female-style traditional dance Ngremo Putri. This potent physicality of pleasure motivated performers’ cultural work to continue making space for and producing what they perceived as endangered east Javanese traditions.Berangkat dari penelitian etnografis di Malang, kajian atas teks kidungan dan setting teks di musik gamelan, dan karya-karya Deborah Wong (2015, 2019), Alisha Lola Jones (2018), dan lain-lain, penulis berpendapat bahwa fisikalitas kegembiraan telah membangkitkan dan menegaskan esensi ke-Jawa Timuran para seniman ketika mengajari penulis mengidungkan puisi berjenis parikan dalam pertunjukan tarian tradisional dengan gaya perempuan, Ngremo Putri. Fisikalitas kegembiraan yang teramat besar ini telah memotivasi para seniman untuk terus membuka ruang kreasi dan memproduksi apa yang mereka lihat sebagai tradisi Jawa Timur yang hampir punah.
东爪哇马朗的 Parikan 之乐:舞蹈《Ngremo Putri》中的文字和音乐分析
摘要:根据在马朗进行的人种学田野调查、对歌曲文本的分析、对文本与加麦兰音乐配乐的分析,以及德博拉-黄(Deborah Wong,2015,2019)、阿丽莎-罗拉-琼斯(Alisha Lola Jones,2018)等人的研究,我认为,当表演者在表演女式传统舞蹈 "Ngremo Putri "的过程中教我唱一种名为 "parikan "的诗歌时,一种强大的身体愉悦性为表演者提供了一种机制,以维护和生产东爪哇性。这种强烈的身体愉悦感促使表演者的文化工作继续为他们所认为的濒危东爪哇传统留出空间并进行创作。在马朗的摄影家笔下,他们的作品包括 "儿童音乐 "和 "加麦兰音乐",以及 "音乐家 "德博拉-王(Deborah Wong)(2015,2019)、阿丽莎-罗拉-琼斯(Alisha Lola Jones)(2018)和莱恩-莱恩(lain-lain)、在本报告中,我们了解到,在印度尼西亚爪哇岛,有一位名叫Ngremo Putri的参议员,他正在通过传统乐器演奏的方式,向当地的传统音乐爱好者传播音乐知识。在这一地区开展的活动将激励参议员们继续发展传统文化,并在印尼爪哇的传统文化中发扬光大。
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来源期刊
ASIAN MUSIC
ASIAN MUSIC Multiple-
自引率
33.30%
发文量
23
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