Alchemical tafsīr: Qur’anic Hermeneutics in the Works of the Twelfth-Century Moroccan Alchemist Ibn Arfaʿ Raʾs

Richard Todd
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Abstract

ABSTRACT Beside the codenames and esoteric symbols inherited from Graeco-Egyptian antiquity, the later Arabic alchemical tradition also adopted motifs drawn from the Qur’an: from the blessed olive tree of the famous Light Verse (Q 24.35) to the burning bush and Moses’ staff. This interweaving of scripture and alchemical theory is especially noticeable in one of the major works of the post-Jābirian corpus, Shudhūr al-dhahab (Shards of Gold) by the Moroccan poet Ibn Arfaʿ Raʾs (fl. sixth/twelfth century), as well as in Ibn Arfaʿ Raʾs’s self-penned commentary, Ḥall mushkilāt al-Shudhūr (The Solution to the Obscurities in the ‘Shards’). But was the use of such motifs simply a literary device or did Ibn Arfaʿ Raʾs claim to discern a hidden alchemical meaning embedded in the qur’anic text? Focusing on this unexplored strand of the Islamic exegetical tradition, this article examines the premises put forward by Ibn Arfaʿ Raʾs in support of an alchemical reading of scripture.
炼金术塔夫西尔:十二世纪摩洛哥炼金术士伊本-阿尔法ʿ拉ʾ斯作品中的古兰经诠释学
摘要 除了从古希腊-埃及古代继承的代号和神秘符号外,后来的阿拉伯炼金术传统还采用了《古兰经》中的图案:从著名的光明经文(Q 24.35)中的祝福橄榄树到燃烧的灌木丛和摩西的法杖。这种经文与炼金术理论的交织在后贾比尔时期的主要作品之一,即摩洛哥诗人伊本-阿尔法-拉尔斯(Ibn Arfaʿ Raʾs,约公元六/十二世纪)的《Shudhūr al-dhahab》(《黄金碎片》)中尤为明显。伊本-阿尔法-拉伊(Ibn Arfaʿ Raʾs,约公元六/十二世纪)的作品《黄金碎片》(Shudhūr al-dhahab)以及伊本-阿尔法-拉伊(Ibn Arfaʿ Raʾs,约公元六/十二世纪)自己撰写的评论《Ḥall mushkilāt al-Shudhūr》(《解决'碎片'中的污点》)中也有使用。但是,使用这些主题仅仅是一种文学手段,还是伊本-阿尔法-拉伊声称发现了《古兰经》文本中隐藏的炼金术含义?本文以伊斯兰训诂学传统中这一尚未探索的部分为重点,研究了伊本-阿尔法-拉乌尔为支持炼金术读经而提出的前提。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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