The Rippling of Dalit Consciousness in Contemporary Odiā Poetry

Dr. Pratap Kumar Dash, Dr. Susanta Kumar Panda
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Abstract

Dalit literature has been influential in the rising awareness for protest or creating literature of social consciousness. The broad domain of Dalit writings includes the depravation and trauma of certain category of people for some socio-cultural, traditional biases. Maybe one of the tenets of it could be the so-called social stratification or formation of social class. Thus, like writings in many languages in India, in Odia, lots of writing account for the evidences and experiences associated with Dalit consciousness. It also envisages feminine perspectives giving the account of the autobiographies and plights and traumatic evidences of Dalit authors underlining the issues of caste, class, and gender in the backdrop of social exclusion. Dalit Literature in Odia has a rich history that can be traced back to the fifteenth century. In Odia literary creations such as Bouddhagāna, and Dohā, Charyāgeetikā, the anecdotes of social discrimination and casteism are noticed. There is potentiality in contemporary Odia poetry in reflecting on various themes of Dalit consciousness.  As it is evident, it starts with saint poet Bhimbhoi who is said to be the first Dalit poet of Odishā in the mid-19th century. Along with glorification of humanitarian attributes, he has outlined the plights of the depraved community. The motifs of Ekalavya, Sanatan, Kalia, Ghinua, Jara Shabara; musical instruments such as baja; the untouchables; Sriya Chandaluni in Laxmi Purana; fingertip print are common in reflecting Dalit issues variously. In this context, this paper focuses on the critical dimensions of Dalit poetry in Odia by including some of the well-known authors such as Gopinath Bag, P.K. Mishra, Nilamani Parida, Ashutosh Parida, Jayadrath Suna, Basudev Sunani, Pitambar Tarai, Akhil Nayak, and Hrushikesh Mallik. Such poets have applied the skills varieties of versification to focus comprehensively on the sensitivity of the traumatic issues of oppression; racial discrimination; socio-cultural taboos; loss of indigenous culture; evil effects of urbanization and politics; existential crisis; victimization of the poor and innocents; loss of ecological harmony; nostalgia and effects of displacement.
当代欧迪亚诗歌中的达利特意识涟漪
达利特文学在提高抗议意识或创造社会意识文学方面具有影响力。达利特文学的广泛领域包括某类人因某些社会文化和传统偏见而遭受的贬低和创伤。也许其中的一个原则就是所谓的社会分层或社会阶层的形成。因此,就像印度许多语言的著作一样,在鄂第亚语中也有许多关于达利特意识的证据和经验的著作。它还以女性视角描述了达利特作者的自传、困境和创伤证据,强调了社会排斥背景下的种姓、阶级和性别问题。达利特文学在奥蒂亚语中有着丰富的历史,可以追溯到 15 世纪。在《Bouddhagāna》和《Dohā》、《Charyāgeetikā》等奥迪亚文学创作中,人们注意到社会歧视和种姓主义的轶事。当代奥蒂亚诗歌在反映达利特人意识的各种主题方面具有潜力。 显而易见,这要从圣人诗人宾博伊(Bhimbhoi)说起,据说他是 19 世纪中叶奥蒂沙的第一位贱民诗人。在颂扬人道主义特质的同时,他还勾勒出堕落群体的困境。Ekalavya、Sanatan、Kalia、Ghinua、Jara Shabara、baja 等乐器、贱民、Laxmi Purana 中的 Sriya Chandaluni、指尖印等主题都是反映贱民问题的常见元素。在此背景下,本文重点探讨了奥迪亚语达利特人诗歌的批判层面,其中包括一些著名作家,如戈皮纳特-巴格(Gopinath Bag)、P.K. 米什拉(P.K. Mishra)、尼拉玛尼-帕里达(Nilamani Parida)、阿舒托什-帕里达(Ashutosh Parida)、贾亚德拉特-苏纳(Jayadrath Suna)、巴苏德夫-苏纳尼(Basudev Sunani)、皮坦巴尔-塔赖(Pitambar Tarai)、阿基尔-纳亚克(Akhil Nayak)和赫鲁什克什-马利克(Hrushikesh Mallik)。这些诗人运用各种诗歌技巧,全面关注压迫、种族歧视、社会文化禁忌、土著文化的丧失、城市化和政治的恶果、生存危机、穷人和无辜者的受害、生态和谐的丧失、乡愁和流离失所的影响等创伤性问题的敏感性。
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